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Todd Eberle: Architectural Abstractions

Mies, the Bauhaus master, often reminded us that “God is in the details” and, in homage to this lesson, Todd Eberle turned his camera lens to details. It isn’t a coincidence that ceilings, windows, coverings and other architectural surfaces – which the Cleveland, Ohio, photographer calls: “architectural abstractions” – are the focus of his most recent works which are now on exhibit in the San Francisco Museum of Modern Art. These are accompanied by a series of never before shown shots of masterpieces of the 20th century which include the Lever House by Gordon Bunschaft and the Seagram Building by Ludwig Mies van der Rohe and Philip Johnson. E.S.

San Francisco – U.S.A.
Todd Eberle: Architectural Abstractions
16.12.2005 – 7.3.2006
San Francisco Museum of Modern Art
http://www.sfmoma.org
Todd Eberle, <i>Untitled No. 10</i> [Tennessee Pipeline Company Building, Houston, Texas (Chuck Bassett/Skidmore, Owings & Merrill, 1963)], 2002. Courtesy the artist. © Todd Eberle
Todd Eberle, Untitled No. 10 [Tennessee Pipeline Company Building, Houston, Texas (Chuck Bassett/Skidmore, Owings & Merrill, 1963)], 2002. Courtesy the artist. © Todd Eberle

Design and ceramics renew a shopping center

FMG Fabbrica Marmi and architect Paolo Gianfrancesco, of THG Arkitektar Studio, have designed the restyling of the third floor of Reykjavik's largest shopping center. Ceramic, the central element of the project, covers floors, walls and furniture with versatile solutions and distinctive character.

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