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Img.1 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.2 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.3 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.4 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.5 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.6 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.7 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.8 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.9 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.10 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel

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Img.11 View of the exhibition “Christoph Niemann. That’s How!” at the Cartoonmuseum, Basel
Be they quick sketches or elaborate illustrations and animations, every one of this great artist’s works is an instantly absorbing implementation of a brilliant idea. At the same time, rather than exclusively committing to any one technique or style, he constantly experiments and expands his repertoire of expressive means in all directions, be it with Lego bricks, potato stamps, painted-over photographs or computer animations.

until 29 October 2017
Christoph Niemann That’s How!
Cartoonmuseum Basel
St. Alban-Vorstadt 28, Basel
Curator: Anette Gehrig



Left: Christoph Niemann, Downtown, 2016. Right: Christoph Niemann, Flat Iron, 2016. © Christoph Niemann

Left: Christoph Niemann, Champ de Mars 1, 2017. Right: Christoph Niemann, Champ de Mars 2, 2017. © Christoph Niemann

Left: Christoph Niemann, Toothbrush, Cover for American Illustration, XX 2001. Right: Christoph Niemann, Cover for The New Yorker, 2016. © Christoph Niemann

Left: Christoph Niemann, Sunday Sketchings, Abrams New York, 2016. Right: Christoph Niemann, Trump, The New Yorker, 2015. © Christoph Niemann