As always for the artist, the manual gesture is a fundamental part of the work itself, capable of conjoining an artisanal tradition, which has been passed down to us and which has contributed to rendering places unique, with a lengthy creation time, which is an essential and conceptual condition for her.
As the artist says: “I have based my research on the concept of time in ected in all its forms, to the extent that I have made time itself the real substance of my work. Memory and its strati cations have always been a source of inspiration for our existence, giving us precious clues and provoking mental short circuits that ideas spring from...”.
until 24 September 2017
Elisabetta Di Maggio. Natura quasi trasparente
curated by Chiara Bertola
Fondazione Querini Stampalia
Santa Maria Formosa, Venezia