56 Artillery Lane

In the exhibition at Raven Row gallery in London “home” is a stage on which kinship and self are transformed through acts of love, cruelty and indifference.

Jenna Bliss, Poison The Cure, 2017. Still from HD Video, 30 min. Courtesy of the artist

The New Brevo House by Pedrali

Brevo has given its Parisian headquarters, La Maison Brevo, a major makeover, prioritizing innovation and employee well-being for its 400 staff members. The furnishings, curated by Pedrali, transform the 3,000 sq m of interior and exterior space into dynamic, stimulating environments that foster collaboration and diverse work styles.

Sponsored content

For this exhibition at the Raven Row gallery in London, “home” is imagined as a space for social, sexual and political agency, and the “domestic” as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference.

01 / 05

Top: Jenna Bliss, Poison The Cure, 2017. Still from HD Video, 30 min. Courtesy of the artist. Above: Fenixo installation at Dartington Hall, Devon, 1980. Photographer unknown. Courtesy of the Estate of Monica Ross

Martine Syms, Incense, Sweaters and Ice, 2017, film still, 72 min. Courtesy of the artist and Bridget Donahue, New York

Jenna Bliss, Poison The Cure, 2017. Still from HD Video, 30 min. Courtesy of the artist

Fiona Clark, Brain scans, 1998, positive colour print Genomegram. Courtesy of the artist and Michael Lett, Auckland

Ben Burgis & Ksenia Pedan, installation view, OIKOS, Union Pacific, 2015. Photo Oskar Proctor. Courtesy of the artists and Union Pacific

A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Visual vocabularies range from bodily waste and bacterial growth to intimate self-imaging. Sculptural forms make reference to temporary shelter and collective occupation, while films are diaristic, improvised and quasi-fictional. The archive is invoked as a ‘homemaking’ space. The exhibition provides a partial map of the domestic as an unstable zone.

Fiona Clark, *Tatoo.*, 1997, hotographic images on canvas with embroidery. Courtesy of the artist and Michael Lett, Auckland

21 April – 11 June 2017
56 Artillery Lane
curated by Amy Budd and Naomi Pearce
Raven Row
56 Artillery Lane, London

Seamless design, ECLISSE steps outdoors

ECLISSE introduces Syntesis Areo Outdoor, extending the sleekness of its flush-to-wall system to exterior applications. Robust and adaptable, it reimagines technical access points as integrated design features, ensuring a continuous aesthetic flow between interior and exterior spaces.

Sponsored content

56 Artillery Lane

In the exhibition at Raven Row gallery in London “home” is a stage on which kinship and self are transformed through acts of love, cruelty and indifference.

The New Brevo House by Pedrali

Seamless design, ECLISSE steps outdoors

Latest on News

Latest on Domus