Mark Handforth: Smoke

Presented at Villa Croce, the sculptures of Mark Handforth appear to be serious and ironic, playful and formal, monumental and melancholic.

Villa Croce presents “Smoke,” an exhibition by Mark Handforth, combining existing works with sculptures specifically created in response to the museum’s spaces. This Anglo-American artist has gained international recognition with his large-scale public sculptures that are born from a reflection on the bewildering dimensions of American metropolises and the minor features that populate the urban landscape such as road signs, benches, and street-lights.

Mark Handforth, Capricorno, Galeria Franco Noero, 2013, Torino — **Top:** Mark Handforth, MoCA, 2008, Miami. **Above:** Mark Handforth, *Capricorno*, Galeria Franco Noero, 2013, Torino

The exhibition title derives from the artist’s fascination with the lettering of the word “smoke” as it appears on American road signs. For Handforth “smoke” is a word, a sign but also the indication of a clouded environment in which forms are dissolved and shapes are set in movement.

Mark Handforth, Saffron Star, 2013, Governors Island, New York — Mark Handforth, *Saffron Star*, 2013, Governors Island, New York

By altering both the materials and the proportions of ordinary objects, the sculptures of Mark Handforth appear to be serious and ironic, playful and formal, monumental and melancholic. The artist intervenes on the signs and symbols of everyday life creating a gallery of expanded objects endowed with a wild physicality and a distinct dynamic energy that generates a free flow of mental associations and a wide range of poetic and whimsical interpretations of reality and contemporary art.

Mark Handforth, Twisted Lampost Star, 2012, Porte de Bagnolet, Paris — Mark Handforth, *Twisted Lampost Star*, 2012, Porte de Bagnolet, Paris

Rife with aesthetic references to Pop and Minimal Art, his work pushes a rigorous formal research into an immediately recognizable figurative dimension in which prosaic items and universal icons manage to coexist. Out-sized proportions and exaggerated distortions radically transform the relationship between the viewer and the artwork as the sculptures invade the rooms where they are situated with their powerful plastic energy.

Mark Handforth, Electric Tree, 2011, Griffin Park, Miami — Mark Handforth, *Electric Tree*, 2011, Griffin Park, Miami

For the exhibition at Villa Croce the artist reinterprets the architecture and the spaces of the neoclassical mansion creating a surreal sequence of twisted lamp-posts, fluorescent mandalas of neon lights, gigantic coat hangers and crumpled stars that form narrative itineraries marked by a dynamic tension between organic and inorganic shapes, concepts of immanence and change, abstraction and symbolic representation.

Mark Handforth, The Excentric Circle, 2015, The Modern Institute, Glasgow — Mark Handforth, *The Excentric Circle*, 2015, The Modern Institute, Glasgow

until 5 September 2016
Mark Handforth – “Smoke”
curated by Ilaria Bonacossa
Museo d’Arte Contemporanea Villa Croce
via Giacomo Ruffini 3, Genova

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Mark Handforth: Smoke

Presented at Villa Croce, the sculptures of Mark Handforth appear to be serious and ironic, playful and formal, monumental and melancholic.

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What if the edge could connect?

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