Haroon Mirza: hrm199 Ltd.

Haroon Mirza’s exhibition at Museum Tinguely questions the conditions under which art is produced and playfully deconstructs the role of the authors and artists.

Museum Tinguely hosts in Basel the most extensive exhibition to date of work by the London-based artist Haroon Mirza (1977).

Mirza’s large spatial installations often include sound, light, video and film as well as randomly found objects and works by other artists. In this way, Mirza creates an immersive experience that challenges the eye, the ear and our spatial orientation.

Top: Gaia Fugazza and Haroon Mirza, Fuji, 2014. Glass, LEDs, fishing net, paint, cable. Private collection; Photo: hrm199 Ltd. Above: Haroon Mirza, Bitbang Mirror, 2015 (Prototype9), dimensions variable. Untitled (2013) by Anish Kapoor, LEDs, Arduino, speaker, amplifier. Courtesy of the artists; Photo: David Bebber

By showing existing works alongside several new pieces created especially for the exhibition and specific to the site where they are placed, Museum Tinguely presents the work of Mirza across a broad spectrum. The “Haroon Mirza/hrm199 Ltd.” exhibition focuses on the collaborative nature of the artist’s practice. The exhibition’s title, the name of Mirza’s studio and company hrm199 Ltd. implies the essence of his approach. Artistic work is inherently a process with many contributors. It includes co-workers in the studio, the architect or the people involved at the museum as well as other artists. In this case the latter includes Alexander Calder, Channa Horwitz and Anish Kapoor, all of whom have either contributed their own work or engaged in a creative dialogue to lead to artistic innovation. Various forms of interaction such as appropriation, dialogic structures and complicity between the different contributors including the act of curating itself are presented. Accompanying the exhibition there is a catalogue that takes an experimental format by rendering the creative and practical interactions visible, mirroring the creative processes in the exhibition itself.

Haroon Mirza, <i>A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound</i>, 2015. Prototype device. Courtesy hrm199 Ltd.; Photo: David Bebber 17 based on works by Channa Horwitz
Haroon Mirza, <i>Adhãn</i>, 2009. Video, colour, sound 4'54''. Courtesy hrm199 Ltd.
Haroon Mirza, <i>An_Infinato</i>, 2009, dimensions variable. Mixed media including unedited footage from Memory Bucket (2003) by Jeremy Deller and damaged off-cuts from Cycles
Haroon Mirza, <i>The System</i>, 2014, dimensions variable. Foam, LEDs, specially built multi-media player, electronics, speakers, 3 channel video, Eileen Gray ephemera from The Irish Museum of Modern Art. Courtesy hrm199 Ltd.; Photo: Davey Moore
Haroon Mirza, <i>The System</i>, 2014, dimensions variable. Foam, LEDs, specially built multi-media player, electronics, speakers, 3 channel video, Eileen Gray ephemera from The Irish Museum of Modern Art. Courtesy hrm199 Ltd.; Photo: Davey Moore
Haroon Mirza, <i>Pavilion for Optimisation</i>, 2013, dimensions variable. Reverberation chamber, LEDs, panel speaker, amp, zone mixer, Arduino, water, bin, water pump, shower head, microphone, microphone stand, ants collected from artist’s kitchen. Courtesy hrm199 Ltd. and Lisson Gallery; Photo: Ken Adlard
hrm199, <i>Too Many Lingzhi</i>, 2015, 103 x 99 x 127 cm. Photovoltaic panel, LEDs, amp, speakers, LED drivers, etched copper plate, wax, pigment, shellac based ink, acrylic, blanc de Meudon, rabbit skin glue on wood. Courtesy the artists; Photo: David Bebber
<b>Left</b>: Gaia Fugazza and Haroon Mirza, <i>Composition in Red and Blue, and now Yellow</i>, 2014. Glass, LEDs, fishing net, paint, cable. Private collection; Photo: hrm199 Ltd. <b>Right</b>: Haroon Mirza, <i>LED Circuit Composition 4</i>, 2013. LEDs, copper tape, electrical wire, microphone cable, power supply, metal, found glass. Courtesy hrm199 Ltd. and Lisson Gallery; Photo: hrm199 Ltd. 14 14 Haroon
Haroon Mirza, <i>A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound</i>, 2015, based on works by Channa Horwitz. Installation view at Museum Tinguely, Basel © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
Mattia Bosco and Haroon Mirza, <i>Standing Stones</i>, 2015. Installation view at Museum Tinguely, Basel © 2015 Museum Tinguely, Basel; Photo: Bettina Matthiessen
TJ O’Keefe, <i>45</i>, 2012, 50,8 x 104,1 x 208,3 cm. Powdercoated aluminum and LED light object. © TJOKEEFE, 2015


until September 6, 2015
Haroon Mirza/hrm199 Ltd.
devised by Roland Wetzel, Director of Museum Tinguely.
Contributing artists: Mattia Bosco, Alexander Calder, Jeremy Deller, Francesca Fornasari, Gaia Fugazza, Alexander Heim, Gary Hill, Channa Horwitz, Anish Kapoor, Haroon Mirza/hrm199 Ltd., TJ O’Keefe, Guy Sherwin, Richard Sides and Jean Tinguely
Museum Tinguely
Paul Sacher-Anlage 2, Basel