A strong design was made necessary in order not to let the clothes be overwhelmed by the the complexity of the architecture of the museum and the strenght of Marini’s artworks.

The display system is built through the multiplication of simple elements such as scaffolding tubes, here reassembled in a seemingly random way to form structures that rest on a mirror floor which reflects everything, clothes and sculptures altogether, breaking and multiplying space.

A series of custom made equipments articulates a variety of display situations along the way: hangers, hooks, mobiles with geometric counterweights, gray-stained wooden tables and thick panels with the direct printing of archival material.

The fluo red lines and a number of fluorescent geometries invade the space with their graphic style, playing with the presence of Marini’s sculptures and materializing a series of outfits that outline a portrait of a style, alive and not anthological.

A construction site that represents a metaphor of those who built every day their persona through the act of dressing.