Traces and Shiny Evidence

Parasol unit presents the work of artist Jimmie Durham in the solo exhibition “Traces and Shiny Evidence”, featuring a new installation that covers the entire gallery space.

For “Traces and Shiny Evidence” Durham has created a new installation that covers the entire gallery space of the foundation.

While the installation on the ground floor is vivid, physical and colourful, the installation on the first floor is sedate, ethereal, and black and white.

In the ground-floor gallery, the protagonists are brightly painted oil barrels coated with ‘chameleon’ automobile paint, which changes colour in relation to one’s varying standpoint, and include what appear to be skeletons and animal bones but are actually brightly painted plastic replicas. Automobile parts are scattered about and the site is complete with plastic pipes seeping what appear to be chemicals and oil, and other such industrial spillages, but are made of coloured acrylic gel. For the artist, Jimmie Durham, the general aspect of the work recalls an observation by Walter Benjamin that the rainbow colours in a thin film of oil on a puddle of rainwater is the best sign of modern times.

In the main area of the first-floor gallery the artist has created an installation for the walls. They are covered by sheets of drawing paper on which can be seen the sparse, black-and-white contours of animal forms. In the smaller section of this gallery we are screening Durham’s 90-minute video entitled Smashing.

Durham has often referred to the strange ubiquity of oil barrels in our contemporary environment. He describes his installation at Parasol unit as ‘beautiful death’, which, despite all that is going on in it, would look sparse, almost austere – if only it were not so cheerful.

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