El Ultimo Grito at Spring Projects

Escape into The Upper Air is the title of the exhibition of newly commissioned works by the Spanish design duo.

The works featured in Escape into The Upper Air are a series of intensely hued Hanging Tables and horizontal fibreglass tables, a number of geometric Cloud Lamps and a collective of glass sculptures—new additions to the Imaginary Architectures series. Like much of their previous work, El Ultimo Grito's creative process re-positions and re-appropriates the everyday elevating low-tech materials into objects of desire.

EUG imbue their work with a vast range of influences; from philosophy, sociology, art, popular culture, designed products to food and science. Viewing design as a vehicle, a way to make complex ideas tangible, El Ultimo Grito inject abstract concepts into design products with the aim to create new objects that are typologically autonomous from the learnt conventions of the past and thus offer alternative ways to live, work and communicate.

El Ultimo Grito's tables are created to work on multiple axes. The Hanging Table is a monolithic form vertically, re-assembled horizontally it returns to conventional form. The table structures use cardboard as the base construction material to form non-geometric, organic-like furniture and are heavily coated (as if dipped) in fibreglass. Their resin finish creates an immediate contradiction between the throw away, biodegradable cardboard interiors, and their durable high-finish outer shell. These works instill the presence of both sculpture and functionality, and are set in motion with a variety of corporeal attitudes and tactile responses. They are made to be responded to, both physically and psychologically, posing questions about our social experience to objects.
Sinistra: <i>Free Range,</i> Black table, 2011. Destra: <i>Free Range, British Racing Green Table</i>, 2011.
Sinistra: Free Range, Black table, 2011. Destra: Free Range, British Racing Green Table, 2011.
The polished surfaces of the Fibreglass Tables act as the foundation for an elegant sprawl of delicatelyformed glass objects that create an urban vista. Cinema, Airport, Love Hotel, House and Station. These Imaginary Architectures are propositions for the social, material and spiritual elements of cities. The glass 'buildings' are connected by 'glass bridges' inspired by Venice. These architectures are 'structures of anything', 'imaginary vehicles' familiar enough to be understood yet allowing us to probe, question and speculate upon the relevance and meaning of these spaces in our lives.

9 September to 18 October 2011
Escape into The Upper Air
Spring Projects
10 Spring Place, Spring House, London

El Ultimo Grito (EUG) comprises London-based Spanish designers Rosario Hurtado and Roberto Feo. Founded in 1997, EUG are self-proclaimed 'post-disciplinarians', whose work aims to question and research the nature of human relationships with objects and culture. They work across disciplines using a wide variety of media from installations, objects, interiors, to graphics.
<i>Cinema, Imaginary Architectures</i>, 2011. <i>Cinema</i>also works as camera oscura.
Cinema, Imaginary Architectures, 2011. Cinemaalso works as camera oscura.

How many forms can an idea take? Fantin has the answer

One material, metal; thirty-five colors; and endless possible configurations for modern, versatile, and functional furniture: design according to Fantin.

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