We recount some "statements" made by the architect Figini, which draw together, in synthesis, the concepts underlying the design and explain their meaning better than any other comment. "Building the anti-city in the city. A brief compendium of creation in man's dwelling. An elementary composition of objects that recur in the dreams of our desires.
New forms of collective life and action are among the "signs" of our era; but man also brings, and still must bring, to the four walls of the home, the desire for intimacy - a sense of irrepressible individuality - that has never been eradicated. Anti-barracks. In the house of yesterday "man forgot the immutable laws of nature and the counsel of light and shadow which regulate the course of events. He even forgot God ."
Create solitude around the sun, the green, the blue. Introduce them - "isolated" - in the house of man. The city imprisons, in chaotic amalgams, in unnatural reversal of values, the works and artifacts of man and the elements of creation: 70% walls and houses, 10% dust, 5% posters, 5% sky, 5% green, 5% sun. Eliminate, purify, isolate, reduce the "terms" of the city to human percentages, to other scales of proportion. "Frame" - with panoramic squares and rectangles - the sun, the sky, the wind (and the landscape if there is one: urban or suburban, mediocre or fragmentary) as they vary with weather, time, and season.
The meaning of the house presented here: nothing but a "memo" (perhaps incomplete) of the minimum of material and spiritual needs that modern man must, or should, have satisfied in any of the n standard apartments within our large 10-15 floor apartment blocks our cities no longer sprawling. Creating the anti-city in the city, obtaining in a 10, 20, or maybe a 50-floor building what you can obtain in an isolated "memo" house, without substantially reducing the percentages of green, sun, sky. Absurd? No possible mathematical or spatial solution? Maybe. But maybe not."