Assembling a Former for a Stator, English Electric, Stafford 1960, digital C-type print, printed 2007.
Given by the artist, courtesy © Estate of Maurice Broomfield 

Preparing a Warp from Nylon Yarn, British Nylon Spinners, Pontypool, Wales 1964 Digital C-type print, printed 2006.
Given by the artist, courtesy © Estate of Maurice Broomfield 

Woman Examining a Sample, Shell International, Holland Laboratories, 1968, gelatin-silver print.
Given by Nick Broomfield, courtesy © Estate of Maurice Broomfield

Exhibition curated by Ersilia Vaudo, astrophysicist and Chief Diversity Officer at the European Space Agency (ESA), installation by Francis Kéré.
Courtesy Triennale Milano

Exhibition curated by Ersilia Vaudo, astrophysicist and Chief Diversity Officer at the European Space Agency (ESA), installation by Francis Kéré.
Courtesy Triennale Milano

Exhibition curated by Ersilia Vaudo, astrophysicist and Chief Diversity Officer at the European Space Agency (ESA), installation by Francis Kéré.
Courtesy Triennale Milano

Josef Hoffmann, Sala da pranzo del sanatorio Westend, Dining hall of Sanatorium Westend, Purkersdorf, 1905.
Courtesy © MAK

MAK Exhibition Hall.
Courtesy © MAK/Georg Mayer

MAK Exhibition Hall.
Courtesy © MAK/Georg Mayer

Courtesy Stedelijk Museum

Directed by Aric Chen, founded by Marjan van Aubel and Pauline van Dongen, edited by Matylda Krzykowski.
Courtesy Het Nieuwe Instituut

Carolien Niebling, The Sausage of the Future / Klobasa prihodnosti, Jane Withers.
Photo Emile Barret, podprl ECAL in objavil založnik Lars Müller, published by Lars Müller Publishers

BIO 27, Jane Withers.
Courtesy Biennial of Design in Lubiana