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Young designers: five emblematic projects for a sustainable future
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dach&zephir - - Couteau Chien
Cultural bricoleurs, the duo dach&zephir (Florian Dach and Dimitri Zephir) have turned their investigation on the creolisation of design processes into an original way of analysing the practices to re-appropriate the meaning of everyday objects belonging to specific local communities. Conceived as a performative and participatory analysis, their research on the Chien knife, an everyday object in the French Antilles, conjures up of new functions, made possible by the hybridisation of humble components and materials. Transformed into an augmented object, the knife becomes a multi-purpose tool for cleaning fish, peeling fruit, or even just resting perpendicularly on a surface or hanging from belt loops thanks to the addition of a hook.
photo Andrès Baron

dach&zephir - Couteau Chien
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
@dach&zephir

dach&zephir - Couteau Chien
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
@dach&zephir

dach&zephir - - Couteau Chien
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Andrès Baron

Infinite Creativity for a Finite World
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com

Simon Ballen Botero - Suelo Orfebre
An assistant at Formafantasma, Colombian Simon Ballen Botero's research focuses on enhancing the symbolic relationships between objects, people and the local dimension. With Suelo Orfebre, Ballen Botero investigates a by-product of the gold mines of the Marmato region in Colombia: the jagua. Similar to sand and originally used for the production of glass bottles, jagua is now replaced by cheaper and more stable materials and pumped by the ton into the Cauca river, causing inevitable environmental damage. Working together with Pieter van Dyck, a Dutch glassblower, Ballen Botero ran workshops with young people from local communities to imagine new ways of using jagua. The collective projects from the workshop provide the lifeblood to regenerate craftsmanship: it is a way not only of creating new forms of income, but also of giving back the local imagination a leading role, decolonising it from design solutions that are typical of western culture.
photo Simone Ballen

Simon Ballen Botero - Suelo Orfebre
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Simon Ballen

Simon Ballen Botero - Suelo Orfebre
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Simon Ballen

Simon Ballen Botero - Suelo Orfebre
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Simon Ballen

Simon Ballen Botero - Suelo Orfebre
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Simon Ballen Botero

Simon Ballen Botero - Suelo Orfebre
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Simon Ballen

Infinite Creativity for a Finite World
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com

Eugenia Morpurgo - Syntropic materials
Syntropic materials installation at the alla Maison POC pour l'economie circulaire presented within the program of Lille World Design Capital and curated by Giovanna Massoni
photo Eugenia Morpurgo

Infinite Creativity for a Finite World
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com

Eugenia Morpurgo - Syntropic materials
ÖLÖTL, corn composit developed by Anne-Sophie Flores.
photo Eugenia Morpurgo

Eugenia Morpurgo - Syntropic materials
Tomato filament by Canapuglia
photo Eugenia Morpurgo

Andrea De Chirico - Superlocal
Motivated by the awareness that production does not necessarily have to seek to maximise yield and profit, but also environmental and social sustainability, Andrea De Chirico from Rome founded Superlocal 0 miles production, a decentralised platform to encourage bottom-up production of objects. Thanks to a network of designers and small local studios, mapped and made accessible to potential users/ producers, Superlocal encourages co-creation workshops and the implementation of objects that hybridise digital fabrication technologies with traditional techniques and valorise waste materials.
Stool codesigned with Opendesk, London, 2016, photo Andrea De Chirico


Infinite Creativity for a Finite World
Roma, 2020. Workshop at Kalma
photo Flavia Baldini

Infinite Creativity for a Finite World
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com

Andrea De Chirico - Superlocal
Workshop all'Università di Bolzano, 2018
photo Arturo Zilli

Alexia Venot - Vivant.es Collective
A French designer and researcher who has distinguished herself for her experimental projects on textiles and their relationship with society (Hay&Husk), Venot has worked with some ENSAD students - Zoé Arnaud, Pauline Aubry, Antoine Behagel, Marianna Faleri, Séverine Luxerrois, Phi Lou-van - to identify a form of aggregation capable of fostering a renewed collective awareness of living species. The result of the research is the Kombucha bar, a mobile trolley that aims not only to promote the properties of Kombucha, a fermented beverage that is good for the body, but also to encourage the exchange of knowledge about approaches to healing that are often marginalised. Prepared through a series of meetings, debates and workshops involving numerous designers, artists and botanists, the trolley bar becomes a device for renewing the link with the ecosystem and defending the female transmission of ancestral healing practices.
Alexia Venot with the ENSAD's students Zoé Arnaud, Pauline Aubry, Antoine Behagel, Marianna Faleri, Séverine Luxerrois, Phi Lou-van. Photo Antoine Behagel

Alexia Venot - Vivant.es Collective
The Kombucha bar with invasive and medicinal plants
photo Antoine Behagel

Infinite Creativity for a Finite World
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
photo Alexia Venot

Alexia Venot - Collettivo Vivant.es
Exhibition and research project curated by Anna Bernagozzi, professor at ENSAD and curator.
www.infinitecreativityfiniteworld.com
foto Alexia Venot
