New Woman Met photography exhibition: How woman have shaped photography

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How women have shaped photography

How women have shaped photography

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From steel mill to exhibition centre. An example of urban regeneration in Shanghai

Unknown, Tsuneko Sasamoto, Tokyo 1940, Courtesy Tsuneko Sasamoto / Japan Professional Photographers Society

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Anna Barna, Onlooker, 1930s, National Gallery of Art, Washington, DC, Robert B. Menschel and the Vital Projects Fund Image courtesy of the Board of Trustees, National Gallery of Art, Washington

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Lola Álvarez Bravo, The Freeloaders, ca. 1955, Collection of Daniel Greenberg and Susan Steinhauser

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Dorothea Lange, Japanese-American owned grocery store, Oakland, California, March 1942, National Gallery of Art, Washington, DC, Gift of Daniel Greenberg and Susan Steinhauser

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Consuelo Kanaga, Annie Mae Merriweather, 1935, The Metropolitan Museum of Art, Purchase, Dorothy Levitt Beskind Gift, 1974 © The Metropolitan Museum of Art, Art Resource, NY

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Florestine Perrault Collins, Portrait of Mae Fuller Keller, Early 1920s, Collection of Dr. Arthé A. Anthony

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Madame d'Ora, Mariette Pachhofer, 1921, National Gallery of Art, Washington, Robert B. Menschel and the Vital Projects Fund and the R. K. Mellon Family Foundation

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Irene Bayer-Hecht, Female Student with Beach Ball ca. 1925, The J. Paul Getty Museum, Los Angeles

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Claude Cahun, Self-Portrait, ca. 1927, Wilson Centre for Photography

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Ilse Bing, Self-Portrait with Leica, 1931, Collection of Michael Mattis and Judith Hochberg, copyright Ilse Bing Estate

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Homai Vyarawalla, The Victoria Terminus, Bombay, early 1940s, Alkazi Foundation for the Arts, New Delhi Courtesy HV Archive / The Alkazi Collection of Photography

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Galina Sanko, During an Attack, 1943, Robert Koch Gallery

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