The mansion was one of six houses built for the 1936 Los Angeles "California House and Garden Exposition" in order to present the latest innovations in technology and materials in residential construction, thus anticipating John Entenza's Case Study Houses project that initiated the widespread diffusion of Californian Modernism. The house was relocated to its current location in 1943. With its 210 square metres distributed on two levels, the house is a summa of the designer's expressive language, from the functional layout to the essential geometries and large ribbon windows. The numerous room views onto patios, terraces and the garden offer a relationship of uninterrupted continuity between exterior and interior.

This 570-square-metre dwelling, set in a two-hectare park, is one of the few examples of Neutra's architecture on the East Coast and re-proposes, even far from California, the consolidated and recognisable language of the modernist master: a simple and flexible layout, essential volumes (in stone and stucco), the ever-present swimming pool, extensive glass surfaces from which one can perceive the uninterrupted relationship between interior and exterior. A diffuse luminosity radiates into the rooms that were designed to house rich art collections, in addition to a vast living room and seven bedrooms.

Considered to be one of the last three houses designed by Wright in California, this 355-square-metre home designed for a football champion - and completed posthumously under the supervision of the master's grandson and one of his apprentices - is characterised by a single-level building housing a large living area, seven bedrooms and six bathrooms. The open floor plan, the large windows blurring the boundaries between indoors and outdoors, and the generous overhang of the roof recall the established characteristics of Usonian homes, aimed at satisfying the taste and comfort needs of the American middle class.