Goya: The rebellion of reason

From October 31st, Palazzo Reale in Milan will be hosting an exhibition entirely dedicated to the work of the Spanish master.

Francisco Goya, Autoritratto al cavalletto, 1785

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Autoritratto, 1815

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Francisco Goya y Lucientes, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Gaspar Melchor de Jovellanos, 1798

Courtesy Museo Nacional del Prado, Madrid

Francisco Goya, Il Colosso, 1808

Courtesy Museo Nacional del Prado, Madrid

Francisco Goya, Il manicomio, 1808-12

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il sonno della ragione genera mostri, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il sonno della ragione genera mostri, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Las mulillas, 1793

Courtesy Fundación Casa Ducal de Medinaceli, Sevilla

Francisco Goya, Joaquina Candado Ricarte, 1802-04

Courtesy Museo de Bellas Artes, Valencia

Francisco Goya, La famiglia Chinchilla, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, La famiglia Chinchilla, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, La Primavera (bozzetto), 1786

Courtesy Galería Caylus

Francisco Goya, María Gabriela Palafox y Portocarrero, marquesa de Lazán, 1804

Courtesy Museo de Bellas Artes, Valencia

Francisco Goya, Non ne saprà di più il discepolo?, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Non ne saprà di più il discepolo?, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il muratore ubriaco (bozzetto), 1786

Courtesy Museo Nacional del Prado , Madrid

Francisco Goya, Annibale vincitore osserva l’Italia dalle Alpi per la prima volta, 1771

Courtesy Museo Nacional del Prado , Madrid

Francisco Goya, Perfino suo nonno, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Perfino suo nonno, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Perfino suo nonno, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Processione di flagellanti, 1808-12

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Bambini che giocano alla corrida, 1777-85

Courtesy Fundación de Santamarca y de San Ramón y San Antonio, Madrid

Francisco Goya, Stragi di guerra, 1810-14

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Stragi di guerra, 1810-14

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, El tío Paquete, 1819-20

Courtesy Museo Nacional Thyssen-Bornemisza, Madrid

Francisco Goya, Tu che non puoi, 1797-99

Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

An etching from 1797, sheet no. 43 from the series Los Caprichos, carries the phrase: El sueño de la razòn produce mostruos. (The sleep of reason produces monsters). It was written by Francisco Goya (1746-1828) a Spanish painter and etcher whose works will be exhibited from October 31st, 2023 at Palazzo Reale, Milan. An image, a feeling from which the exhibition entitled Goya takes its cue: The rebellion of reason. Seven themed sections will lead visitors on a journey of extraordinary marvel, creating a reconstruction of the pictorial language of the Spanish maestro, who lived through a series of historical periods: from the end of the Ancien Régime, through the Age of Enlightenment and the French Revolution, up to the Napoleonic wars.

Francisco Goya, Il sonno della ragione genera mostri, 1797-99. Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

In his younger years, Goya mainly ffocused on portraiture, characterised by lighter tones and more frivolous themes and subjects, to then moved on to topics and content typical of Romanticism. These works bore the first signs of his most famous dreamlike and allegorical subjects, painted with sinister colours and traits, at times violent and terrifying. Over time, above all due to historical events, the narration of the Spanish maestro shifted to episodes of war, reproducing subjects from a more documentary point of view, less interested in the elegance of figures.

A complex artist, in some senses versatile and autonomous, above all with respect to various artistic currents, capable of interpreting current situations by adapting his style, his brush strokes, analysing varied themes rather than choosing to focus on a single artistic movement. The exhibition, curated by Victor Nieto Alcaide, in collaboration with the Real Academia de Bellas Artes de San Fernando and with the patronage of the Spanish Embassy in Italy and the Cervantes institute in Milan, will be open to the public until 3 March 2024.

Francisco Goya, Autoritratto al cavalletto, 1785 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Autoritratto, 1815 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, E non c’è nulla da fare, 1810-14 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Francisco Goya y Lucientes, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Gaspar Melchor de Jovellanos, 1798 Courtesy Museo Nacional del Prado, Madrid

Francisco Goya, Il Colosso, 1808 Courtesy Museo Nacional del Prado, Madrid

Francisco Goya, Il manicomio, 1808-12 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il sonno della ragione genera mostri, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il sonno della ragione genera mostri, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Las mulillas, 1793 Courtesy Fundación Casa Ducal de Medinaceli, Sevilla

Francisco Goya, Joaquina Candado Ricarte, 1802-04 Courtesy Museo de Bellas Artes, Valencia

Francisco Goya, La famiglia Chinchilla, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, La famiglia Chinchilla, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, La Primavera (bozzetto), 1786 Courtesy Galería Caylus

Francisco Goya, María Gabriela Palafox y Portocarrero, marquesa de Lazán, 1804 Courtesy Museo de Bellas Artes, Valencia

Francisco Goya, Non ne saprà di più il discepolo?, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Non ne saprà di più il discepolo?, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Il muratore ubriaco (bozzetto), 1786 Courtesy Museo Nacional del Prado , Madrid

Francisco Goya, Annibale vincitore osserva l’Italia dalle Alpi per la prima volta, 1771 Courtesy Museo Nacional del Prado , Madrid

Francisco Goya, Perfino suo nonno, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Perfino suo nonno, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Perfino suo nonno, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Processione di flagellanti, 1808-12 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Bambini che giocano alla corrida, 1777-85 Courtesy Fundación de Santamarca y de San Ramón y San Antonio, Madrid

Francisco Goya, Stragi di guerra, 1810-14 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, Stragi di guerra, 1810-14 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid

Francisco Goya, El tío Paquete, 1819-20 Courtesy Museo Nacional Thyssen-Bornemisza, Madrid

Francisco Goya, Tu che non puoi, 1797-99 Courtesy Real Academia de Bellas Artes de San Fernando, Madrid