Las Vegas / Black Mountain

Following the boom and bust history of the Nevada, Michael Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin.

Until 2008 Nevada was the fastest-growing state in America.

But the recession stopped this unprecedented urbanization of the Mojave Desert cold, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered.

Top: Michael Light, Las Vegas / Black Mountain. Monaco Lake Las Vegas home and foreclosed neighbor, on guard-gated Grand Corniche Drive, Henderson, Nevada; 2010. Above: Michael Light, Las Vegas / Black Mountain. Ascaya Boulevard looking south up Black Mountain, morning, Henderson, Nevada; 2012

In Las Vegas / Black Mountain, Michael Light eschews the glare of the Strip to hover over the topography of America’s most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown. Janus-faced in design, and comprising two removable books, one side of the book plumbs the surrealities of Lake Las Vegas, a lifestyle resort comprised of 21 Mediterranean-themed communities built around a former sewage swamp. The other dissects nearby Black Mountain and Ascaya, the city’s most exclusive – and empty – future community where a quarter billion dollars was spent on moving earth that has lain dormant for the past six years. Following the boom and bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint.

Michael Light, <i>Las Vegas / Black Mountain</i>. Lake Las Vegas Parkway looking west, guard-gated 'Bella Fiore' development beyond, Henderson, Nevada; 2011
Michael Light, <i>Las Vegas / Black Mountain</i>. 1scaya Boulevard looking south up Black Mountain, morning, Henderson, Nevada; 2012
Michael Light, <i>Las Vegas / Black Mountain</i>. Unbuilt Ascaya lots and culdesac looking northwest, Sun City MacDonald Ranch development beyond, Henderson, Nevada; 2012
Michael Light, <i>Las Vegas / Black Mountain</i>. Barcelona homes and the edge of Lake Mead Recreation Area looking south, Lake Las Vegas, Henderson, Nevada; 2011
Michael Light, <i>Las Vegas / Black Mountain</i>.Edge of unbuilt Ascaya development looking east; foreclosed Obsidian Mountain development at left, Henderson, Nevada; 2011
Michael Light, <i>Las Vegas / Black Mountain</i>. Bankrupt Reflection Bay golf course looking northwest, Lake Las Vegas Parkway to right, Henderson, Nevada; 2010
Michael Light, <i>Las Vegas / Black Mountain</i>. Tozzetti Avenue and edge of Roma Hills homes looking east, foreclosed Obsidian Mountain development beyond, Henderson, Nevada; 2012
Michael Light, <i>Las Vegas / Black Mountain</i>. City View hiking trail looking southeast, Sun City MacDonald Ranch development below, Henderson, Nevada; 2010
Michael Light, <i>Las Vegas / Black Mountain</i>. Thrust-fault mountains near Rainbow Gardens, Lake Las Vegas, Henderson, Nevada; 2011
Michael Light, <i>Las Vegas / Black Mountain</i>. Stone Mountain Ridge to right and future Highlander Ridge at left, MacDonald Highlands development, Henderson, Nevada; 2010
Michael Light, <i>Las Vegas / Black Mountain</i>. Mantova development looking southeast, Lake Mead beyond, Lake Las Vegas, Henderson, Nevada; 2010

  Michael Light is a San Francisco-based photographer focused on the environment and how contemporary American culture relates to it. He has exhibited extensively worldwide. A private pilot, he is currently working on an extended aerial survey of the arid states broadly titled Some Dry Space: An Inhabited West. Radius Books has published the first three books of a planned multi-volume series of this work.


Michael Light
Las Vegas / Black Mountain
Essays by Rebecca Solnit and Lucy Lippard
Radius Book