1+1+1

1+1+1 is a triptych of exhibitions: three authors – an architect, a designer and a painter who have accepted the invitation to share the  Assab One spaces in Milan.

1+1+1 is a triptych of exhibitions: three authors – an architect, a designer and a painter – have accepted the invitation to share the vast Assab One spaces, partly renovated for the event. Each of them has chosen to produce new works for the occasion confirming the connection between art, architecture and design. Their works are accommodated in different, yet adjoining, environments that promote a shared, energetic and open interaction that investigates and experiments the blending of languages and the overlaying of meanings.

Bijoy Jain’s highly emotional body of work has drawn largely from his interest in the act of observation – a perception untouched by prejudice – of things which can be found in nature. 
Trained as an architect, he considers man to be synonymous with material, where the former is a measure of an environment in a state of constant flux.

Bijoy Jain, exhibition view of Water, Air, Light, Assab One. Photo Lilian Istrati
Bijoy Jain, Studio Mumbai. Photo Studio Mumbai
Bijoy Jain, <i>Tazia</i>, work in progress. Photo Studio Mumbai
Bijoy Jain, exhibition view of Water, Air, Light, Assab One, detail. Photo Lilian Istrati
Bijoy Jain, backstage of the exhibition Water, Air, Light. Photo Delfino Sisto Legnani

  The relationship between the two-dimensional and the three-dimensional is a central element in Chung Eun Mo’s painting. Her analysis of perspective and her dedication to its construction, result in a form of conceptual art that leads to a rigorous, concrete and tangible creation of shape and space compositions. A structural approach to painting that, while retaining its originality, evokes the tradition of Le Corbusier and Josef Albers in the constancy of pursuit and boundless experimenting.

Chung Eun Mo, exhibition view of Shapes and Shades. Photo Lilian Istrati
Chung Eun Mo, Studio, 2012. Photo Alice Fiorilli
Chung Eun Mo, <i>Interim</i>, oil on linen. Photo Alice Fiorilli
Chung Eun Mo, Napoli 2010. Photo Mario Laporta
Chung Eun Mo, exhibition view of Shapes and Shades. Photo Lilian Istrati

  George Sowden, designer – one of the founders of Memphis – uses elements of his industrial productions and transforms them into a personal vocabulary to create a series of impressive installation. Designer said: “I have constructed art works (and I do consider them art) using some bits-and-pieces taken from manufactured objects that I designed, including patterns I did for textiles and decorations from my ceramics. Using them as raw material I have rearranged them, sometimes changing the scale, and installing them in such a way that they are no longer recognisable as products. Decontextualised they are just colours and shapes.”

George Sowden, The Heart of the Matter, exhibition backstage at Assab One, 2017
George Sowden, studio
George Sowden, exhibition view of The Heart of the Matter, Assab One, 2017
George Sowden, exhibition view of The Heart of the Matter, Assab One, 2017


27 March – 26 May 2017
1+1+1. Bijoy Jain + George Sowden + Chung Eun Mo
a project by Elena Quarestani, curated by Marco Sammicheli
Assab One
via Privata Assab 1, Milan