
Offering a space of freedom beyond utilitarian needs is therefore what constitutes the explicitly political dimension of his art – or of any art, for that matter – as it allows him to give the material a new form with every new sculpture and express his feelings and emotions in constantly changing ways. “Sculpture is how material and material forms affect us”, says Cragg. Reaching beyond viewers’ emotional receptivity, it appeals primarily to their intellectual capacity of analytical perception in order to make sense of what they see.

until 3 September 2017
Tony Cragg
curated by Clément Minighetti
Mudam Luxembourg
3 Park Dräi Eechelen, Luxembourg

A house turns its back on the road to open up to the landscape
The single-family house project designed by Elena Gianesini engages in a dialogue with the Vicenza landscape, combining tranquility and contemporary style through essential geometries and the Mazzonetto metal roofing.