Telling Time

With “Telling Time”, mudac brings together the products of fine watchmaking with the explorations of industrial designers and newcomers from the world of digital technology.

Michael Sans, <i>Cuckoo Clock</i>, 2008 © Dominik Butemann. The last call of the cuckoo, crucified on the altar of digital technology…

The vocabulary of watchmaking uses poetic and evocative language to express the plethora of ways employed through the centuries to display the time – how about wandering hours, mysterious time, digital time, hands in the air or singing hours?

“Telling Time”, on view at mudac, juxtaposes historic pieces and works by contemporary artists and designers, which all share the same desire to tell the time. The more recent creations often build upon and adapt the inventiveness of watchmakers of yesteryear. Artists and designers frequently depart from the classic way of telling the time, coming up with often witty variations. All these pieces mark the passing of the hours, and in doing so remind us of time’s inexorable onward march.

Marc Formanek, <i>Standard Time</i>, video, 2007. Photo© Bernd Schuller — **Top**: Michael Sans, *Cuckoo Clock*, 2008 © Dominik Butemann. The last call of the cuckoo, crucified on the altar of digital technology. **Above**: Marc Formanek, *Standard Time*, video, 2007. Photo © Bernd Schuller

Although the tools we use continue to evolve, knowing what time it is and being able to measure its passage remain fundamental concerns; most people continue to carry something with them to help them tell the time. The exhibition underlines watchmaking’s enduring vitality after more than five hundred years, and demonstrates its extraordinary capacity to innovate and reinvent itself, producing timekeeping instruments that meet the needs of its particular era, from the invention of hands to the biometric sensors of the latest smartwatches. A series of chapters present some of the classic explorations of watchmaking, alongside others that are less obvious: daytime, night time, universal time, dials that show 24, 12 or even 10 hours, luminous hours, even secret hours.

Nicolas Le Moigne, <i>Horloge, wall clock</i>, 2004. © ECAL/Jordi Pla — Nicolas Le Moigne, *Horloge, wall clock*, 2004. © ECAL/Jordi Pla

Their features help us to draw parallels with contemporary designers and plastic artists whose works explore ways of prolonging, diverting or testing the display of time and the passage of time. Gianni Motti counts down the seconds to the time when the sun is expected to explode, in 5 billion years (Big Crunch Clock, 1999); Maartens Baas offers a video in which the time is displayed by people sweeping up rubbish, in real time (Sweepers Clock, 2009); John M Armleder reinterprets the idea of a memento mori in a contemporary watch (ART-DNA, Romain Jérôme, 2012); Ivan Argote counts off the hours and minutes in dollars or euros (Time is Money, 2007); Siren Elise Wilhelmsen measures the passage of time by the progress on the scarf knitted by her wall clock (365 Knitting Clock, 2010); Marti Guixé’s timepiece reminds us when it is time to eat by emitting food smells at the appropriate moment (Time to eat, 2011). Time is brought bang up to date, exploring the opportunities offered by ingenuity, wit, intelligent imitation and poetry. Canvases, one-of-a-kind or mass-produced items, projections and installations punctuate the itinerary through the exhibition, building up an unexpected and revealing panorama of our relationship with time and the way we tell it.

Each of these domains – watchmaking, art and design – brings its own particular resonance, its own poetry and aesthetic language. The exhibition builds bridges from one time to another, one subject to another, sometimes playfully, while highlighting the harmony and continuity between the past and the present. It is unexpected, curious and funny.

Wendy Gaze & Arnaud Imobersteg, Semaphore, wall clock, 2013. © Sandra Pointet, HEAD-Genève. As the paper roll unwinds the time is printed, minute by minute. On the hour, a cuckoo ‘sings’ on the paper. <b>Left</b>: — Wendy Gaze & Arnaud Imobersteg, Semaphore, wall clock, 2013. © Sandra Pointet, HEAD-Genève. As the paper roll unwinds the time is printed, minute by minute. On the hour, a cuckoo ‘sings’ on the paper

“Telling Time” brings together a considerable corpus of more than 150 objects from all over Europe. The historical pieces are from both private collections and major public repositories, as well as heritage collections from manufactures.

The scenography is a result of a partnership with the ECAL/Ecole cantonale d’art de Lausanne, and is the work of Iris Andreadis, Anna Heck, Pauline Lemberger and Jérôme Rütsche, all students on the Exhibition Design course led by industrial designer Adrien Rovero.

A book to accompany the exhibition has been produced jointly by the mudac and 5 Continents Editions (Milan). It includes all the works in the exhibition along with essays by the exhibition curators and experts in a variety of disciplines.

Left: Maarten Baas, Grandfather Clock, from the series Real Time, video installation, 2009. © Carpenters Workshop Gallery. Photo Adrien Millot. Right: Bina Baitel, Lash Clock, wall clock, 2014 © Bina Baitel. The time is read off by means of slots that part the ‘lashes’, thus forming a negative image of hands pointing to the hour and minute

Gianni Motti, Big Crunch Clock, wall clock (countdown from 5 billion years to the explosion of the sun), 1999

Pauline Saglio, Rewind (n°2), digital clock, 2013. © ECAL/Nicolas Genta Time on demand. A successful marriage of traditional practice and the virtual world: the random images on the iPad coalesce to display the current time when the key is turned or the cord is pulled, just as clocks were wound in the past

Left: Darren Almond, Perfect Time, wall clock, 2012 © Darren Almond. Courtesy Galerie Xippas. Right: Siren Elise Wilhelmsen, 365 Knitting Clock, wall clock, 2010. © Miriam Lehnart. New stitches are knitted as time passes.

27 May – 27 September 2015
Telling Time
Curators: Chantal Prod’Hom and Fabienne Xavière Sturm
Scientific advisers: Karine Tissot and Arnaud Tellier
mudac – musée de design et d’arts appliqués contemporains
place de la Cathédrale 6, Lausanne

Telling Time

With “Telling Time”, mudac brings together the products of fine watchmaking with the explorations of industrial designers and newcomers from the world of digital technology.

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