End of Dreams

On view at SALT Galata, Nikolaj Bendix Skyum Larsen’s new installation End of Dreams, an ode to migrants who have perished attempting to traverse the Mediterranean Sea.

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Nikolaj Bendix Skyum Larsen has worked on the issues and dangers of migration in different geographies for a number of years.

His most recent production End of Dreams — produced during a residency at the Italian art organization, qwatz — is an ode to the countless lives that have been lost by those attempting to traverse the Mediterranean Sea in order to reach Europe.

**Top**: Nikolaj Bendix Skyum Larsen, *End of Dreams*, 2015. Video still. Courtesy the artist. **Above**: Nikolaj Bendix Skyum Larsen, "End of Dreams", exhibition view at SALT Galata

Initially envisioning End of Dreams as a sculptural installation, in 2014 Larsen began his work by submerging 48 concrete-canvas sculptures off the coast of Pizzo Calabro in Calabria, South Italy. The plan was to allow these sculptures, which are reminiscent of body bags, to slowly acquire a patina of sea organisms. They were then to be removed from the sea and exhibited as a sculptural constellation marked by the wear and tear of the sea.

During the making of the work an unanticipated violent storm ravaged the raft that was holding the structures in place and their remnants were scattered across the seabed and onto nearby beaches. Some disappeared altogether. Larsen believed that the intervention of nature brought the process of the work’s production even closer to the feelings of trauma and peril he was trying to express, adding to the narrative of the piece, and so following the storm he hired divers to film the scene and collect all the debris and sculptures that could be found. Working with this material, Larsen created a new work that is a multi-media installation comprising a five channel HD video shot under sea, and a composition of some of the remains of the sculptural elements.

Nikolaj Bendix Skyum Larsen, <i>End of Dreams</i>, 2015. Sculptures placed on the raft and prepared for immersion. Photo: Eva Castagna (2014) — Nikolaj Bendix Skyum Larsen, *End of Dreams*, 2015. Sculptures placed on the raft and prepared for immersion. Photo: Eva Castagna (2014)

A program of Larsen’s works on migration including Promised Land (2011-2013), Reflections from Meriç (2013) and End of Season (2014) is screened during the run of the exhibition in the Walk-in Cinema at SALT Beyoğlu.

End of Dreams is produced by qwatz, Rome, supported by Sharjah Art Foundation and co-founded by the Danish Arts Council.

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