
Stone: Origins and Future in Architecture
On June 12 and 13, 2025, IUAV University of Venice will host "Stone is…," an international forum entirely dedicated to natural stone. Organized by PNA, this event aims to thoroughly explore the material's enduring value and sustainability, featuring insights from internationally renowned speakers.
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The buildings he worked on include the Villa Necchi Campiglio, Milan, recently restored by the Fondo Ambiente Italiano (FAI), Palladio’s Villa Maser, Treviso, the Palazzo Cini at San Vio, the Palazzo Papadopoli and the Palazzo Labia (all in Venice).


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Tomaso Buzzi at Venini. Ovoid vase in turquoise cased glass with small flared foot and mouth in black glass. Fruit bowl in turquoise cased glass with truncated cone-shaped foot in black glass, 1932

Tomaso Buzzi at Venini. Small jars with heart-shaped mouth in glass consisting of different coloured layers, body of oval section and low truncated cone-shaped foot, 1932-33

Tomaso Buzzi at Venini. Boccia dei cavallini marini (Vase of the Sea-Horses) in alga glass with applied gold leaf. Vase in alba glass consisting of different coloured layers with applied gold leaf, 1932-33

Tomaso Buzzi at Venini. Cockerels and chickens in filigrana glass with reticello (net-like) pattern and glass finishing, 1933

Tomaso Buzzi at Venini. Bowl in laguna glass consisting of different coloured layers with applied gold leaf, 1932-33

Tomaso Buzzi at Venini. Bowl with goat in tramonto glass consisting of different coloured layers with applied gold leaf, 1932-33

Tomaso Buzzi at Venini. ‘Coppa con il nodo’ in laguna glass consisting of different coloured layers with applied gold leaf, 1932

Tomaso Buzzi at Venini. Ducks and goose in lattimo glass with applied tarnished silver leaf, 1933

Tomaso Buzzi at Venini. Vase in black glass with wavy ‘collar’ in reticello (net-like) pattern with lattimo filigrana glass, 1933

Tomaso Buzzi at Venini. Vase in lattimo and straw-colour cased glass with applied gold leaf and small truncated cone-shaped foot. Large vase in lattimo and straw-colour cased glass with applied gold leaf, truncated cone-shaped foot, ovoid body and ‘everted’ rim, 1932-33
until 11 january 2015
Tomaso Buzzi at Venini
Fondazione Giorgio Cini
Venice, Isola di San Giorgio Maggiore

The restyling of Fiandre’s historic headquarters
The project by Iosa Ghini Associati studio is the ultimate expression of the company’s products and philosophy. The result is a workspace meant to be lived in.
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