
A house turns its back on the road to open up to the landscape
The single-family house project designed by Elena Gianesini engages in a dialogue with the Vicenza landscape, combining tranquility and contemporary style through essential geometries and the Mazzonetto metal roofing.
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Left: Lygia Clark, proposition Estruturas vivas (Live structures), 1969, in use,
probably in Paris in the early 1970s. The object is made out of knotted rubber bands. Courtesy Associação
Cultural “O Mundo de Lygia Clark,” Rio de Janeiro. Right: Lygia Clark in her studio, Rio de Janeiro, c. 1950s. Courtesy Associação Cultural
“O Mundo de Lygia Clark,” Rio de Janeiro

Lygia Clark, proposition Ping-pong (1966) in use. The objects are Ping-
Pong balls and a plastic bag. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.

2286
Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art

2286
Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art

2286
Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art

2286
Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art

2286
Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art

Installation view of "Lygia Clark: The Abandonment of Art", 1948-1988 at The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
until August 24, 2014
Lygia Clark: The Abandonment of Art, 1948–1988
organized by Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, MoMA and Connie Butler, Chief Curator, Hammer Museum with Geaninne Gutiérrez-Guimarães and Beatriz Rabelo Olivetti, Curatorial Assistants, Department of Drawings and Prints, MoMA
MoMA
11 West Street, New York

For a new ecology of living
Ada Bursi’s legacy is transformed into an exam project of the two-year Interior Design specialist program at IED Turin, unfolding a narrative on contemporary living, between ecology, spatial flexibility, and social awareness.
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