Minale-Maeda: Zoetrope Bench and Tweened Damask

Invited by the Tilburg Textiel Museum to work with their collection, Minale-Maeda designed two pieces inspired by the patterns in the fabrics of the museum, that give an illusion of movement.

At the Tilburg TextileMuseum, in the south of The Netherlands, Kuniko Maeda and Mario Minale from Studio Minale-Maeda present their new Zoetrope Bench and Tweened Damask. The project is on display as part of the Turkish Red & More exhibition, curated by Caroline Boot with alongside projects by BCXSY, Studio Formafantasma, Merel Boers and Lenneke Langenhuijsen.

Invited by the Textiel Museum to work with their collection for the exhibition Turkish Red & More, Minale-Maeda's interest was sparked by the multitude of patterns in the fabrics of the collection and how they come to be through the repetition of same motives. A parallel emerged to the repetition of motives with slight differences in the experiments of Eadweard Muybridge, a pioneer of moving images, who did studies of movement over time by taking pictures of moving things in short succession. Each frame was slightly different than the one before and their rapid succession would create the illusion of movement.

The comparative simplicity but stunning effect of both techniques, patterns and a sequence of slightly different images, proved fascinating. With contemporary digitally assisted weaving and printing, patterns do not need to repeat over a whole roll of fabric in small segments but can change over the whole length. So why not make the patterns change similarly to images put in sequence and create an animation in the fabric, expanding the narrative quality of patterns and breaking up the monotonous part of the repetition, without going out of pattern.
On top and above: Minale-Maeda, <i>Zoetrope Bench and Tweened Damask</i>, Textiel Museum of Tilburg, 2013
On top and above: Minale-Maeda, Zoetrope Bench and Tweened Damask, Textiel Museum of Tilburg, 2013
The project deals with the historical limitation evolved into conventions in weaving and upholstering and how these influence today's production techniques. The improvement in technology is employed to subtly expand on the qualities of the originals while maintaining the conceptual simplicity and the transparency it brings.



Video: Robert Adriessen

The idea was developed into a showpiece for the collection, a round bench upholstered with a fabric with a collage of subtly changing and moving patterns from the museum collection, from narrative to abstract and from renaissance damask to art noveau, from leaves swaying in the wind to abstract patterns de- and recomposing. Each layered element tries to respect the weaving or printing techniques of each pattern.
Minale-Maeda, <i>Zoetrope Bench and Tweened Damask</i>, Textiel Museum of Tilburg, 2013
Minale-Maeda, Zoetrope Bench and Tweened Damask, Textiel Museum of Tilburg, 2013
A variation of the idea was applied to a damask tablecloth with a vegetal motive. Referencing the animation technique of creating in-between frames to key frames, whereby again the illusion of movement is created, a new pattern was made, that would show a narcissus plant blossoming and decaying, this time not over the course of iterations of the pattern but by layering the different stages, helped by the subtle graphic quality of damask fabric.
Minale-Maeda, <i>Zoetrope Bench and Tweened Damask</i>, Textiel Museum of Tilburg, 2013
Minale-Maeda, Zoetrope Bench and Tweened Damask, Textiel Museum of Tilburg, 2013
Studio Minale-Maeda: Zoetrope Bench and Tweened Damask
Design and concept: Studio Minale-Maeda
Photos: Tommy Fotografie
Video "Turkish red": Robert Adriessen
Project development: Kuniko Maeda, Mario Minale, Jin-Sik Kim, Selma Durand, Beatrice Ranai
Minale-Maeda, <i>Zoetrope Bench and Tweened Damask</i>, Textiel Museum of Tilburg, 2013
Minale-Maeda, Zoetrope Bench and Tweened Damask, Textiel Museum of Tilburg, 2013
Minale-Maeda, <i>Zoetrope Bench and Tweened Damask</i>, Textiel Museum of Tilburg, 2013
Minale-Maeda, Zoetrope Bench and Tweened Damask, Textiel Museum of Tilburg, 2013

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