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Domus 1101 is now available

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      Thonet No. 14: the benchmark for modern chairs

      Thonet No. 14: the benchmark for modern chairs

      01 / 11

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      Matali Crasset designed a “rainbow” mini-apartment in Paris

      LIECHTENSTEIN CHAIR

      Design Michael Thonet, Peter Hubert Desvignes, ca 1843-1849. Production Gebrüder Thonet, Wien, 1844-1858. Materials: bent and carved rosewood, rod bundles, laminated and solid, front legs with beech wood core.

      Collection Wolfgang Thillmann

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      THONET NO. 3

      Design Michael Thonet, Peter Hubert Desvignes, ca 1847. Production Gebrüder Thonet, 1862-1865. Materials: curved beech wood, cane.

      Collection MAK. Photo Nathan Murrell

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      THONET NO. 2

      Design Michael Thonet. Production Michael Thonet & Söhne, Werkstatt Gumpendorf, Wien, ca 1850. Materials: bent beech wood, partly laminated, cane.

      Collection Die Neue Sammlung – The Design Museum

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      THONET NO. 4

      Design Michael Thonet, Wien, 1848-1849. Production Gebrüder Thonet, 1862-1865. Materials: curved beech wood, laminated and solid, cane.

      Collection MAK/Photo Georg Mayer

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      THONET NO. 1

      Design Michael Thonet, Peter Hubert Desvignes, ca 1850. Production Gebrüder Thonet, Wien, 1858 ca. Materials: Beech wood, laminated and curved, glazed on rosewood, cane (rattan).

      Collection MAK/Photo Georg Mayer

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      THONET NO. 14

      Design Michael Thonet, ca 1856. Production The Royal House of Hanover. Materials Beech wood, cane.

      Collection Die Neue Sammlung – The Design Museum

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      THONET NO. 14

      Design Gebrüder Thonet, ca 1865. Production Gebrüder Thonet, Koritschan. Materials: Bent beech wood, solid, cane.

      Collection Wolfgang Thillmann

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      The six pieces making up the chair.

      Photo Jasper Morrison

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      Detail of the top end of the front leg with turned threading that screws it to the seat.

      Courtesy of Die Neue Sammlung – The Design Museum

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      Bundles of thin square sections of wood for the front leg of the Liechtenstein. There is a colour difference between the beech core and the outer layers in more precious rosewood.

      Courtesy of Thillmann Collection

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