Indigenous Australia in Berlin

Portraying mythology and ancient rituals, the exhibition “Indigenous Australia” takes Aboriginal art to Berlin.

The National Gallery of Australia hosts the most extensive collection of Aboriginal and Torres Strait Islander artwork worldwide. Some of its most significant pieces will be exhibited in Berlin, within the exhibition “Indigenous Australia”, in partnership with me Collectors Room Berlin. The exhibit is curated by Franchesca Cubillo, NGA Senior Curator of Aboriginal and Torres Strait Islander Art.

Michael Riley, <i>Untitled</i>, from the series <i>cloud [boomerang], from <i>Cloud</i> series, 2000, printed 2005. Chromogenic pigment print. National Gallery of Australia, Canberra. © VG Bild-Kunst, Bonn, 2017
Mick Namararari Tjapaltjarri, <i>Untitled (Rain Dreaming at Nyunmanu)</i>, 1994, synthetic polymer paint on linen, 152 x 183 cm, National Gallery of Australia, Canberra. © the estate of the artist, VG Bild-Kunst, Bono 2017
Christopher Pease, <i>Hunting Party</i>, 2003, oil on canvas, 128 x 210,5 cm, National Gallery of Australia, Canberra. Courtesy the artist and Michael Reid Sydney + Berlin and Gallerysmith, Melbourne
Emily Kame Kngwarreye, <i>Yam awely</i>, 1995, synthetic polymer paint on canvas, 152 x 490 cm, National Gallery of Australia, Canberra. Courtesy the artist, VG Bild-Kunst, Bonn, 2017
Robert Campbell Jnr, <i>Abo history (Facts)</i>, 1988, synthetic polymer paint on canvas, 130 x 200 cm, National Gallery of Australia, Canberra. Courtesy the artist and Roslyn Oxley Gallery, Sydney
Danie Melior, <i>Paradise in the Sun</i>, 2010, drawing in black pencil, pastel and watercolour wash with collage of glitter and Swarovski crystals, 192,5 x 153,5 cm, National Gallery of Australia, Canberra. Courtesy the artist, collection National Gallery of Australia, acquired 2010
Rover Thomas [Joolama], <i>Cyclone Tracy</i>, 1991, natural earth pigments and binder on canvas, 168 x 180 cm, National Gallery of Australia, Canberra. ©the artist’s estate, courtesy Warmun Art Centre, VG Bild-Kunst, Bonn, 2017
Yirawala, <i>Kundaagi - Red Plains Kangaroo</i>, 1962, natural earth pigments on Eucalyptus bark, 103 x t,7 cm, National Gallery of Australia, Canberra. © the estate of the artist, VG Bild-Kunsl, Bonn, 2017

“Indigenous Australia” explores the works from the early 19th century up to contemporary practices. Paintings will be exhibited together with videos, sculptures and installations, reflecting Aboriginal culture’s deep spirituality in its connection to its land and today’s issues arising in Aboriginal society: identity, politics and complex history. The religious mythology of the dreaming holds an important place in many of the works, producing images of intricate patterns belonging to particular regions. Early works show natural phenomena and the land, with the use of natural pigments and bark. Later on, the more frequent exchanges between Aboriginal and western culture gave birth to new styles and the adoption of medium such as acrylic paint and watercolors, still retaining the central themes of nature, land, and community.

Brenda L. Croft, Oh look the Antichrist, from the series Alt(a)red Angels in the series In my father’s House, 1998, direct positive colour photograph, 126 x 99 cm, National GaHery of Australia, Canberra. ©VG Bild-Kunst, Bonn, 2017
  • Indigenous Australia. Masterworks from the National Gallery of Australia
  • Franchesca Cubillo
  • from 17 November 2017 to 2 April 2018
  • me Collectors Room Berlin / Stiftung Olbricht
  • Auguststrasse 68, Berlin