A brewery by the Castiglionis

In 1961 in Milan, the Brothers Castiglioni designed the stylish Splügen Bräu Bar with a mix of antique references and modern details.

Originally published in Domus 380/July 1961

The theme—a luxury pub—allowed for scenographic play. The late-19th century references in the design of all the forms are not implied but are actually at the heart of the show, which is played out in this key. Might we say that, in this way, the Castiglioni brothers, by transforming this taste for stylistic evocation into formal play, have, in some way, emptied or exceeded the controversy elicited by it?
The cafeteria is found on the pub interior. The wooden counter and row of seating seem doubled in length by the mirror.
The cafeteria is found on the pub interior. The wooden counter and row of seating seem doubled in length by the mirror.
The stylized wooden silhouettes contrast the other show—the exposed mechanical systems on the ceiling that can be likened to a taste for vintage cars: a suspended mechanic's shop.
The exposed air-conditioning, electrical and sound systems create an elaborate show on the ceiling.
The exposed air-conditioning, electrical and sound systems create an elaborate show on the ceiling.
All seating is in booths aligned in rows on three levels (from +0 to +2.40). In addition to saving space, this creates a pleasant impression of "travelling" in a train compartment or by boat (a slow journey evoked by the style of the forms). The presence of the other guests is a performance that can be viewed from the perspective created by the different levels.

The bar and cafeteria, accessed through the space's interior (a tunnel with a low-ceiling, curious seating attached to the cafeteria counter with very high backs) adjoin the pub and restaurant. The kitchen and service/storage areas are directly connected to the street by a corridor under the restaurant's highest level.
In addition to saving space, the three-tier seating creates a pleasant impression of "traveling" in a train compartment or by boat. The presence of the other guests is a performance that can be viewed from the perspective created by the different levels.
The booths seat two or four people; they are lined up in four rows on different levels. The benches are fabric-covered; the wood is dark (Mansonia walnut); the ceramic numbers on the backs refer to the 19th-century style as do all the wood forms.
The booths seat two or four people; they are lined up in four rows on different levels. The benches are fabric-covered; the wood is dark (Mansonia walnut); the ceramic numbers on the backs refer to the 19th-century style as do all the wood forms.
Seating is on three levels
Seating is on three levels
Thonet-type chairs, in metal, do not swivel; the high backs protect guests them from passers-by. Elongation is playfully transferred from the legs to the back.
Thonet-type chairs, in metal, do not swivel; the high backs protect guests them from passers-by. Elongation is playfully transferred from the legs to the back.

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