Sculture d’ombra. Aria polvere impronte fantasmi
Georges Didi-Huberman,
Electa, Milano 2009
(pp. 111, € 19,00 / italiano)
In his extensive archaeological survey of
the modern and contemporary image, Georges
Didi-Huberman was bound to encounter the
work of Claudio Parmiggiani. The Emilian artist
epitomises a fiendish obsession with French
philosophy of our time, from Derrida to Lyotard.
Didi-Huberman’s essay, first published by
Allemandi in 2002 and now republished by
Electa in an elegant new edition, appears in
felicitous conjunction with the inauguration of
a new scultura d’ombra (“shadow sculpture”)
created by Parmiggiani on the apse walls of
the Church of San Giorgio in Poggiale (Bologna,
Italy).
Sculture d’ombra
Sculture d’ombra. Aria polvere impronte fantasmiGeorges Didi-Huberman, Electa, Milano 2009 (pp. 111, € 19,00 / italiano) Didi-Huberman’s essay, first published by Allemandi in 2002 and now republished by Electa in an elegant new edition, appears in felicitous conjunction with the inauguration of a new scultura d’ombra (“shadow sculpture”) created by Parmiggiani on the apse walls of the Church of San Giorgio in Poggiale (Bologna, Italy).
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- 25 March 2010