Rising Talent Awards: Lebanon chosen for the September edition

Return to pre-industrial crafts. Lebanon brings its emerging talents to the September 2018 edition of Maison et Objet.

After the United Kingdom and Italy, the award to the promises of design, “Rising talents” of Maison et Objet in September 2018, goes to Lebanon. (Maison et Objet is from 7 to 11 September at the Parc des Expositions in Villepinte, Paris). A bridge between the West and the East, which is characterized by having an immense heritage of artisan techniques not influenced by industrial settings. Seven elements of the jury that have chosen young talents, among the minds of the rebirth of Lebanese design. Here they are. From Paris, Aline Asmar d'Amman distracts with her agency Culture in architecture, overseeing the renovation of the Hôtel de Crillon. And Hala Mubarak knows very well the design scene for having inaugurated the first Fair of Beirut Design last year, where Joy Mardini manages her gallery. Marc Baroud is an experienced designer, known for creating and directing the design department at the Lebanese Fine Arts Academy, just as Cherine Magrabi founded the House of Today platform. Finally, Nadine Fares Kahil is editor-in-chief of Curve magazine, and Maria Ziadeh is commercial director of Elle and Elle decoration Lebanon. See the gallery with the six rising talents. 

Studio Caramel, Portrait. Rising Talent Awards, Maison et objet. It is not just the wonderful furniture, but also the general atmosphere of the time (50s), with allusions to means of transport, visual culture, typography and creations of the time. It is usually very thoughtful. Exploring elaborate details and bold materials, our duo converges to create innovative and unusual combinations.
Bar car walnut, Studio Caramel, 2018. Rising Talent Awards, Maison et objet.
Paola Sakr, Portrait. Rising Talent Awards, Maison et objet. Ideally, I find it most stimulating when all three realms overlap in a single project: design teaches the importance of research and pragmatism for technical details, while art influences the way you tell a story or choose to represent an emotion. Then comes photography and the concept of visual expression. Quando i tre terreni si ritrovano in un unico progetto, allora è l'ideale: il design porta ricerca e pragmatismo nei dettagli tecnici, mentre l'arte si manifesta nel modo di raccontare una storia o nel rappresentare un’emozione, e alla fine arriva l'immagine con l'espressione visiva.
Impermanence, Paola Sakr.
Marc Dibeh, portrait. Behind each story there are people, relationships and memories. It is like packing a whole world into a single object. My creations tell stories about different aspects of my life, situations I have encountered or some of my personality traits, such as my clumsiness. I think the fact that I like making fun of myself can sometimes give my approach an edge, and if we are being realistic, it is not like I will be saving the world anytime soon, so I might as well make people smile.
Marc Dibeh, Please don't tell mom, 2018.
Carlo Massoud, portrait. : By evoking emotions associated with a specific political or social context, design becomes political. My work deals with issues such as religion, women's rights or the destruction of our local heritage, and I translate these ideas into objects or installations that allow me to engage with the public.
Mar Mikhayel, Carlo Massoud, 2018.
Carla Baz, portrait, Maison et Objet 2018. Craftsmen are the heart of our culture, probably because the Levant has long been known for its elaborate expertise. Using glassblowing, pottery, woodwork, weaving or embroidery, Lebanese artisans were able to sell attractive products on the largest ports around the Mediterranean. By the 20th century, this versatility was expressed through a wide variety of talents. Today, highly experienced artisans have inherited this expertise passed down through generations and continue to preserve these crafts.
Maiko wall lights, Carla Baz, 2018
Anastasia Nysten, portrait, 2018. : It is shaped by everyday stories, by moments when I notice something, by thoughts that randomly merge together. I experiment with volumes, textures, behaviours. My goal is simply to find what makes us feel good. Il mio lavoro è storie di tutti i giorni, momenti di osservazione, pensieri combinati insieme. Un esperimento su volumi, trame e abitudini. Il mio obiettivo è trovare ciò che ci fa sentire bene.
Anastasia Nysten, 2018.

Lebanese design stands out for “a multiplicity of its influences. Here there is no cultural dominant, no industrial heritage, and therefore no functional, formal or other “ideology”. Which creates a rather interesting area of ​​freedom”, says juror Marc Baroud. The key word is craftsmanship rather than industrial. Hala Mubaraka, boasts the talents: “The ancestral knowledge that have never been lost, combined with contemporary concepts, place the Lebanese creators in the front row on the global stage. The refined aesthetics, the clean lines and the search for noble materials are today the guidelines of this design that begins to be recognized for its identity”. Carlo Massoud, Marc Dibeh, Carla Baz, Anastasia Nysten, Studio Caramel and Paola Sakr: here are the names of those who embody the renewal of design in Lebanon, selected by the members of the jury of the Rising Talent Awards. A new generation that has followed the example of its predecessors by combining their international experiences with local production methods, expression of uniqueness.