For the 2005 Biennale, Monica Bonvicini placed a huge parallelepiped of tufa stone laboriously dismantled by a team of workers with electric drills at the entrance to the Giardini del'Arsenale. A Golden Lion winner in 1999, the Venetian artist arrived in Berlin at the age of 21 in 1986, planning to stay a few days, which turned into a couple of months before she then settled there, finding it an accessible city without all the tension of New York. In some ways, it is like Los Angeles. At this Biennale she presents 15 Steps to the Virgin, a large-format installation with Mina singing "La musica è finita" in the background.
I could not take my work to Saudi Arabia, China or a country where the government does not allow people to grasp the deep-rooted meaning of contemporary art. Freedom is a necessary condition for art production.
Pierfrancesco Cravel