The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Row House, Sumiyoshi-Azuma House, 1976. Photo: Shinkenchiku-sha
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Chichu Art Museum, 2004. Photo: Tadao Ando
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Meditation Space, UNESCO, 1995. Photo: Tadao Ando
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Festival, 1984. Photo: Tadao Ando
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Koshino House Addition, 1984. Photo: Tadao Ando
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Koshino House, 1981. Photo: Tadao Ando
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Model of Row House, Sumiyoshi-Azuma House. Credit Centre Pompidou, Mnam/Cci. Photo: Georges Meguerditchian/Dist. RMN-GP
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Koshino House, 1981-1984. Photo: Shinkenchiku-sha
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Koshino House, 1981-1984. Photo: Shinkenchiku-sha
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Rokko Housing I, II, II, 1983 / 1993 / 1999. Photo: Mitsuo Matsouoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Rokko Housing II, 1993. Photo: Mitsuo Matsouoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Model of Rokko Housing I and II, 1983-1993. Credit Centre Pompidou, Mnam/Cci. Photo: Georges Meguerditchian/Dist. RMN-GP
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Model of 4 x 4 House, 2003. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Model of 4 x 4 House, 2003. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Church on the Water, 1988. Photo: Yoshio Shiratori
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Church of the Light, 1989. Photo: Mitsuo Matsuoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Drawing. Church of the Light, 1989. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Drawing. Nakanoshima Project II - Urban Egg. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Pulitzer Foundation for the Arts, 2001. Photo: Shinkenchiku-sha
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Roberto Garza Sada Center, 2012. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Shanghai Poly Theater, 2014. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Liangzhu Village Cultural Art Center, 2015. Photo: Vanke
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Genesis Museum (in progress), 2012. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Children's Museum Hyogo, 1989. Photo: Tomio Ohashi
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Chikatsu Asuka Historical Museum, 1994. Photo: Shinkenchiku-sha
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Nariwa Museum, 1994. Photo: Mitsuo Matsuoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Awaji Yumebutai, 1999. Photo: Mitsuo Matsuoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Modern Art Museum of Fort Worth, 2002. Photo: Mitsuo Matsuoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Hill of the Buddha, 2015. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Benesse House Museum / Oval, Naoshima, 1992-1995. Photo: Mitsuo Matsuoka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Benesse House Museum, Naoshima, 1992. Photo: Kaori Ichikawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Benesse House Oval, Naoshima, 1995. Photo: Mitsumasa Fujitsuka
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Chichu Art Museum, Naoshima, 2004. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Ando Museum, Naoshima, 2013. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Punta della Dogana, 2009. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Tadao Ando, Stone Sculpture Museum, 2010. Photo: Shigeo Ogawa
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Model of Bourse de Commerce, 2016. Photo: Tadao Ando Architect & Associates
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
The anthology is an invitation to discover the firm garments of Ando's architecture, such as the use of cement, smooth as silk, which jealously preserves the mixture, the preference accorded to volumes with pure geometries, the integration of elements natural in its spatial devices or, again, the importance given to the intensity of the body experience generated by its projects. Courage, challenge, rejection of conventions: originality, for Tadao Ando, remains the only rule.
Portrait Tadao Ando. Photo: Kazumi Kurigami
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- 09 November 2018