Painting over the Present

Sixteen years after the end of apartheid, photographer Graeme Williams explores the transformation of South African society, capturing details of people's homes in small towns, townships and cities throughout the country.

I began this project 16 years after the end of apartheid rule in South Africa. As a photographer, I have explored the transformation of society and aspects of change as a general theme. In this particular essay I have focused on the environments occupied by some of South Africa's poorest people. It would seem that although wealth and power have shifted hands since the first democratic elections in 1994, many of the benefits of these shifts have failed to filter down to the grassroots level.

The photographs focus on the interiors and exteriors of people's homes. They are intentionally static in their composition in order to accentuate the minutiae of the occupants' day-to-day dwelling places.

The bright colours captured in these photographs act as visual trinkets to momentarily distract the viewer from deeper harsh realities. However, although they encourage denial, they are also suggestive of resilience, hope and, sense of humanity that remains in these poverty-stricken communities.

These photographs were taken in small towns, townships and cities throughout South Africa. It has been surprising to find that although the areas differ in many ways, there are almost always individuals who seemingly refuse to be subsumed into the starkness that surrounds them. Graeme Williams
Top and above: Graeme Williams, <em>Painting over the Present</em>, 2010-2012
Top and above: Graeme Williams, Painting over the Present, 2010-2012

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