I've never been there

Andrea Bosio explores territories of the new pixelated reality, compiling a true photographic record of different points of observation in the virtual space.

The Internet interconnects a number of computer networks and originated in military spheres more than 30 years ago. The Web started taking over the planet fifteen years ago and became the "World Wide Web", acquiring form and colours via codes such as HTML. About ten years ago, the Internet entered our houses, securing itself an increasingly vital role in our lives and slowly becoming a communication must-have.

As when radio and then TV appeared in the 1950s, it has helped transform our modus vivendi. A product and medium of the global era, the Internet has hugely speeded up the exchange of information, facilitating the circulation of news and knowledge and paving the way for rapid knowledge sharing. The so-called Web 1.0, popular until the 1990s, was almost exclusively based on static websites that did not give users the option of direct interaction, save for simple content surfing. It was replaced by the more recent and evolved Web 2.0, in which interaction is the basic ingredient. Phenomena such as Napster, Myspace, YouTube and Facebook, to name but a few, have literally changed our lives and enjoying audio-video products and expanding your contact network have never been so easy or immediate.

Amazon and eBay have revolutionised the way we shop. Today, much of our interaction with others occurs via networks and blogs, which now flank the traditional face to face encounters. In terms of information and image circulation, the Google search engine has, I believe, played a crucial role. We use Google to search for answers to our questions, look for friends and acquaintances and even to look up ourselves. On Google, we can use a keyword to source images and even plan trips by searching for photographs and information on our destination.
Top: Saint Exupéry airport, Lyon, France (Santiago Calatrava). Above: Walt Disney Concert Hall, Los Angeles, USA (Frank O. Gehry)
Top: Saint Exupéry airport, Lyon, France (Santiago Calatrava). Above: Walt Disney Concert Hall, Los Angeles, USA (Frank O. Gehry)
Google Satellite and Street View is undoubtedly the last frontier in this sense and they have mapped the entire planet, first with a zenith and then bird's-eye view. This new software allows many of our cities to be visualised at human height. A car with photographic equipment on its roof takes 360° photos as it drives silently down busy and quiet streets immortalising the urban reality metre by metre. Buildings, vegetation, animals, things and people are all captured, nearly always unknowingly, by the lens mounted on the Googlemobile. The results are then sent back to the US company's servers and inserted into the API navigation system.
From the top: Biosphere, US Pavillion for Expo Montréal '67, Montréal, Québec, Canada (Richard Buckminster Fuller). Turning Torso, Malmö, Sweden (Santiago Calatrava). Church of the Immaculate Conception, Longarone (Belluno), Italy (Giovanni Michelucci)
From the top: Biosphere, US Pavillion for Expo Montréal '67, Montréal, Québec, Canada (Richard Buckminster Fuller). Turning Torso, Malmö, Sweden (Santiago Calatrava). Church of the Immaculate Conception, Longarone (Belluno), Italy (Giovanni Michelucci)
Computer users start from a geographic position selected from the vertical satellite view and can "descend" to quota zero — or, rather, approximately two metres above the ground — and see the views collected by the cars on their worldwide mission. What is more, you can then surf the images on the screen with a mouse or keyboard: you can travel along a street, go back, turn around to look at something or "zoom" in on a detail, all making it possible to explore reality at 360°. You can visit almost an entire city while sitting comfortably in front of your screen... of course, the smells, sounds and noises are missing, as too the human presence because people's faces are "blurred" to respect privacy laws. Expressionless faces are not great company but our visual experience is secure.
From top left, clockwise: Potsdamer Platz, Berlin, Germany (Renzo Piano Building Workshop); Nationalgalerie, Berlin, Germany (Ludwig Mies van der Rohe); Nationale-Nederlanden Building, Prague, Czech Republic (Frank O. Gehry); Paul Klee Centre, Bern, Switzerland (Renzo Piano Building Workshop)
From top left, clockwise: Potsdamer Platz, Berlin, Germany (Renzo Piano Building Workshop); Nationalgalerie, Berlin, Germany (Ludwig Mies van der Rohe); Nationale-Nederlanden Building, Prague, Czech Republic (Frank O. Gehry); Paul Klee Centre, Bern, Switzerland (Renzo Piano Building Workshop)
What could previously only be achieved by personal in situ experience, picturesque postcards or the numerous photo-reports is today within reach of hand and eye thanks to computers and new-generation smart phones. A large slice of the planet, mainly the urbanised areas, has literally been broken down into millions of frames, collected arbitrarily without choosing a specific subject, and recomposed with software into one continuous surfable vision. The picture of the surroundings is created via a photographic-mapping method that is methodical and mechanical. The adoption of specific technology and its equally precise application allows us to visualise the attained result on a monitor and "surf" the images. We are able to experience the reality in an objective and non-interpretative portrayal. This is a new way to enjoy a new image of reality.

From top left, clockwise: City of Art and Science, Valencia, Spain (Santiago Calatrava); City of Art and Science, Valencia, Spain (Santiago Calatrava); Bibliothèque Nationale de France, Paris, France (Dominique Perrault); Casa da Música, Porto, Portugal (OMA)
From top left, clockwise: City of Art and Science, Valencia, Spain (Santiago Calatrava); City of Art and Science, Valencia, Spain (Santiago Calatrava); Bibliothèque Nationale de France, Paris, France (Dominique Perrault); Casa da Música, Porto, Portugal (OMA)
I have always used Google's Satellite and Street View system to view cities and principally to identify the urban drift areas featured in some of my photographic projects. In these cases, I use software as if it were a map made of pictures to find my way through the reality at times of direct experience. This is also the approach I adopted for the photographic project presented here although, on this occasion, the subject of my shots was the representation of the city supplied by Google Street View on my computer screen. I treated this new pixelated reality as a territory up for exploration and managed to compile a true photographic record of it by selecting different points of observation in this virtual space. I photographed the city without ever actually being there. Andrea Bosio
From top left, clockwise: The Louvre, Paris, France (I.M. Pei); Habitat 67, Montréal, Québec, Canada (Moshe Safdie); Torre Agbar, Barcelona, Spain (Atelier Jean Nouvel); The Morgan Library and Museum, New York, USA (Renzo Piano Building Workshop)
From top left, clockwise: The Louvre, Paris, France (I.M. Pei); Habitat 67, Montréal, Québec, Canada (Moshe Safdie); Torre Agbar, Barcelona, Spain (Atelier Jean Nouvel); The Morgan Library and Museum, New York, USA (Renzo Piano Building Workshop)
From top left, clockwise: Olympic stadium, Montréal, Québec, Canada (Roger Taillibert); Jewsih memorial, Berlin, Germany (Peter Eisenman); Reichstag, Berlin, Germany (Norman Foster); Potsdamer Platz, Berlin, Germany (Renzo Piano Building Workshop)
From top left, clockwise: Olympic stadium, Montréal, Québec, Canada (Roger Taillibert); Jewsih memorial, Berlin, Germany (Peter Eisenman); Reichstag, Berlin, Germany (Norman Foster); Potsdamer Platz, Berlin, Germany (Renzo Piano Building Workshop)

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