Design and comics have much in common. Modern and in constant evolution, they are both the physical manifestations of the pop-culture we live in, of which they express desires and contradictions. On show from May 24th to October 20th at the Vitra Shaudepot, the exhibition “Living in a Box: Design and Comics” examines the dialogue that nourishes the two disciplines.
Charlotte Perriand, Ray and Charles Eames, Eero Saarinen, Robert Mallet-Stevens, Mies van der Rho, but also Thonet and Alvar Aalto: comics’ authors have drawn them all. Some of them by representing, with gentle irony, the ergonomic limits of popular designs; like Tove Jansson who, in 1958, through her Moomins questioned the comfort of Grupo Austral’s Butterfly chair (1938). Others, such as the Italians Angela and Luciana Giussani in their Diabolik, or the Belgian Hergé in The Adventures of Tintin, by incorporating design pieces into their stories to suggest the state of mind or the social status of their characters. Some others, by celebrating their modernity, like André Franquin who, in 1959, immortalised the spirit of the 1958 Brussels World’s Fair in his Spirou.
Design and comics at Vitra Design Museum
After the world of discotheques, with “Living in a Box: Design and Comics”, the Vitra Design Museum looks at the intersections between comics and design.
© Astorina srl, courtesy Vitra Design Museum
© Pantheon Books
Photo Andreas Jung, courtesy Vitra Design Museum
© Massimo Giacon
Foto Jürgen HANS, © Vitra Design Museum
© Javier Mariscal, courstesy Vitra Design Museum
Photo Andreas Jung © Vitra Design Museum
© 1953 Peanuts Worldwide LLC, courtesy Vitra Design Museum
Photo Jürgen HANS, courtesy Vitra Design Museum
© Guido Crepax, courtesy Archivio Crepax and Vitra Design Museum
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- Laura Drouet & Olivier Lacrouts
- 27 May 2019
Curated by Erika Pinner, “Living in a Box: Design and Comics” – which claims to be both playful and introspective – looks at decades of creative exchanges, juxtaposing contemporary comics from various genres – including Japanese mangas – and design objects from the collection of the museum. Furthermore, the exhibition reveals how these interactions have also inspired designers and furniture companies to create pieces that originally existed only on paper. One example is the recent collaboration between Dutch cartoonist and graphic designer Joost Swarte and Italian company Cassina. The author of a book about the De Stijl movement – En toen De Stijl (2017) – Swarte was commissioned a tribute-motif for Gerrit Rietveld’s Beugel Chair, which Cassina presented at the end of 2018. For the occasion, a limited edition silkscreen panel was also produced to pay homage to the leader of the De Stijl’s movement.
Last but not least, the show features three of the fifty Manga Chairs designed in 2015 by Japanese design studio Nendo. Consisting of a series of abstract lines and frames, each chair – which seems to emerge from a piece of paper – recalls the formal vocabulary of mangas, from the bubbles that contain conversations to the lines that express movements and sounds.
- Living in a Box: Design and Comics
- Erika Pinner
- 24 May – 20 October 2019
- Vitra Design Museum
- Charles-Eames-Strasse 2, 79576, Weil am Rhein, Germania
Angela and Luciana Giussani, Sergio Zaniboni and Saverio Micheloni, Diabolik (detail), 1974
David Mazzucchelli, Asterios Polyp (detail), 2009
Pier Giacomo and Achille Castiglioni, Snoopy, 1967
Massimo Giacon, Ettore: Mr. Sottsass Jr. e il mistero degli oggetti (detail), 2015
Javier Mariscal, Garriris, 1987
Javier Mariscal, Los Garriris: Este verano te vas a enamorar (detail), 1977
Superstudio, Passiflora, 1966
Charles Schulz, Peanuts (detail), 1953
Gaetano Pesce, Tramonto a New York, 1980
Guido Crepax, Valentina (detail), 1975