Since 1928
Polish artist Katarzyna Krakowiak transformed the biggest post office in New York – the James A. Farley Post Office into a monumental sound sculpture.
The Natevo jury – Manuela Messina and Andrea Corti (FLOU), Susanna Legrenzi, Marva Griffin and Joseph Grima – takes Domus behind the scenes of a call for ideas exploring a new design approach.
Roberta Brambilla explains to Domus her project for a platform devoted to the collection and study of prototypes, that today catalogues more than 100 mock-ups and prototypes and illustrating them in pictures, videos and summaries.
Hou Hanru, chinese curator and MAXXI’s artistic director, tells Domus the new social role of the museum that he would like to transform in a real platform for public participation and exchanges amongst artists, designers, curators and the public.
The Moshe Safdie exhibition at the Skirball Cultural Centre gives the opportunity to talk with the architect: about the dramas built into architecture, as well as the ones conveyed in shows about architecture. And he defends his contested position that an architect should be a chameleon.
A new Natevo project called Bopeep is one of the first selections made by the jury in the call for ideas launched last April. Domus discusses it with the designer, Roberto Paoli.
Since 1928
The new Fondazione Trussardi nomadic exhibition takes us into the heart of the Brera district to encounter the site-responsive work of artists Allora & Calzadilla inside the historic Palazzo Cusani.
Starting from the latest innovations – Ripple and Amass – presented at the London Design Festival, Benjamin Hubert recounts to Domus his much-lauded “materials driven, process-led” approach.
Joost Grootens, leading Dutch graphic designer, recounts to Domus about his approach to cartography and the representation of urban space at a workshop at ISIA in Urbino.
Since 1928
The curator of the 13th Istanbul Biennial recounts to Domus her position in between the institution, the artists and the public after Gezi Park occupation.
Beatrice Leanza tells Domus how “her” Beijing Design Week aims to attract enthusiasts and insiders worldwide to the Chinese capital.
Sou Fujimoto recounts to Domus two recent projects – the Serpentine Gallery's pavilion and the House K in Hyogo – not opposites but complementary paradigms in the vast constellation of innovative spatial and material approaches for one of the most creative Japanese architects on stage.
