Since 1928
Invited by Wenders to direct one of the architecture documentaries in the series Cathedrals of Culture, Michael Madsen included Halden prison, to remind us that prisons are also cultural realities.
Domus interviewed Antonella Dedini e Silvia Robertazzi, curators of Milano Design Film Festival, this year in its second edition, which is becoming also a travelling event.
The focus of an exhibition at the Rencontres d’Arles, Spanish photographer Chema Madoz’s still-lifes show everything around us from a new angle, taking nothing for granted.
A project for the experimentation and cross-contamination of contemporary art languages, curated by Francesca Marconi, involving artists, architects, designers and artisans.
As the physical construction work is finished, Henri Praeger recounts the story and design of Dresden Ten’s social housing project, as well as methods for working with the community as a client.
Thorsten Sahlmann explains the essence of the latest parisian project by Renzo Piano: the Fondation Jerôme Seydoux-Pathé, that will house office space, archives, a record and research centre, exhibition spaces and a screening room for the historical film company.
Since 1928
At the Fondazione PLART in Naples, an exhibition narrates new study possibilities for plastics by Maurizio Montalti/Officina Corpuscoli. Curator Marco Petroni previews it.
Minsuk Cho, curator of the Korean Pavilion in Venice, and winner of this year’s Golden Lion, recounts the dynamic and exciting process that created a network of practitioners who’ve been working on the issues of the architecture of both North and South Korea.
The 41 installations at the Arsenale act in chorus to portray a country both in crisis and full of potential. The curator of the exhibition, Ippolito Pestellini Laparelli talks us through some of the highlights.
Since 1928
Located between the Arsenale and the Giardini, the Catalan Pavilion stands out for the excellence of its research and its designs: 16 virtuous examples – from Jujol to the present day – of a single considerate and delicate attitude to the history and culture of a place. Because we are never the first to arrive.
The exhibition “Design Destinations” at the MAXXI traces a collective map of personal experiences between origin and destination: 7 conceptual responses to the theme of cultural migration.
The eclectic Jan Boelen, director of the Z33 Arts Centre in Hasselt and of the Ljubljana Biennial of Design (BIO), presents the 50th edition, where a team approach will triumph.
