Globe Lights is the third collection by two young designers, Swedish by birth but adopted Londoners, featuring two simple lamps in ceramic and enamelled steel.
Using reclaimed oak beams, young designer Giacomo Moor creates a limited series of furnishings for Post Design gallery, creating surprising details with colour and volume. Video in Italian
At the Spazio O', the Dutch design collective presents a solid exhibition where all works are linked by the idea of transformation, from chemical reactions to unfinished, modular constructions.
In its third edition, Marcelo Rosenbaum's ambitious project to raise awareness on Brazil's powerful diversity using design materialises into a stunning lighting collection.
Curator Angela Bracco expands on WORKs, a self-organised collective of RCA students that presented an eclectic body of work in Ventura Lambrate, during this year's Salone del Mobile.
Curator Karen Verschooren and designers Tal Erez and Tobias Revell present the Belgian gallery's latest exhibition, which focuses on the position of the maker in existing and near-future production processes.
During the Salone del Mobile, the school collaborates with Tsinghua University, realising the cities of the world all look the same from above. However, NABA and Domus Academy’s projects have a farther reach, with an ambitious theme — happiness — for the coming years.
Stefan Scholten discusses two of the three designs presented in the Spazio Rossana Orlandi this year — the Tea with Georg tea set and the “cake” display showing products designed for HAY.
Textured surfaces, unexpected asymmetries and eerie contrasts: the Tacua Fukushimae and Amaurodes Chernobilis carpets for Nodus reflect on the constant intersection
of nature and science, depicting two new insect specimens amidst a background derived
from the Golden Ratio.
The Israeli-Japanese design duo presents two projects — delicate glassware for Inframince and wooden boxes produced in collaboration with Ibuki, a non-profit Japanese craft association.
A video by Inside Outside offers an occasion to revisit the striking intervention designed by Petra Blaisse — and curated by former NAi director Ole Bouman — that took over the Dutch Pavilion at the last Venice Architecture Biennale.