The small size sculptures show up as minimal constructions, as ‘newborn’ entities, somehow engendered by the architectural concept of the space housing them. This space becomes a scenery where tridimensional elements act as points of reference, sometimes contrasting one another, each one in close relation with the functionality of the place. In fact, the context between the track of time and a charming memory of the rooms transforms the artworks into extremely fragile and precious travel “souvenirs”.