
In his first major exhibition in the German capital, Anish Kapoor invades the ground floor of the Martin-Gropius-Bau with 70 of his works, some of which specially designed for the venue.

Featuring works by artists such as Marcel Broodthaers and Hans Haacke, "The Art of the First Globalisation" reunites a series of installations at the MACBA.
Taking over Turin's Castello di Rivoli, the first Italian venue of the "Disobedience Archive", curated by Marco Scotini, is a contingent archive that expresses itself in the “here and now” of the exhibition.

At the Collezione Maramotti, American artist Andy Cross physically constructs an “artist residence” using his own works as a building material.

In the second year of the Frieze Art Fair New York, a series of independent projects curated by Cecilia Alemani sought to create communal and gathering spaces that infiltrated the grid of the fair.
A delicate 16mm film, conserved at the Domus Archives, documents the August 1978 expedition undertaken by Pierre Restany and two artist friends, who traveled up the Rio Negro from the depths of the Brazilian Amazon to the border with Venezuela and Colombia.

Edited by Alex Coles and Catharine Rossi, the first volume of the EP collection launches 31 May at the ICA with a discussion between Martino Gamper, Carlo Caldini and the editors.

A new exhibition documenting the journey of the Roland Ultra, a printing machine that traveled from Germany to Italy and India, opens 17 May at the former GEA factory in Milan.
At the upcoming Venice Art Biennale, the Crepaccio Pavilion at yoox.com — which Domus is supporting with a partnership project — will sell the works of ten young artists via an online platform, raising the profile of artists excluded from the Venetian stage. Can a pavilion-as-provocation rewrite the rules of the contemporary art system?

From the optical research of Julio Le Parc, to the Pavlovian grammar of Joachim Koester and the latest thinking on the identity of the avant-garde in a country in crisis like Greece, over eleven exhibitions are brought together at the Palais de Tokyo under the truly perfect oxymoron of “cold sun”.

Large-scale inflatable sculptures by Cao Fei, Choi Jeong Hwa, Tam Wai Ping, Jeremy Deller, Jiakun Architects, Paul McCarthy and Tomás Saraceno take over the West Kowloon Promenade, becoming surreal protagonists in a space that will become a sculpture park in 2014.
In Mouans Sartoux, the Espace de l'Art Concret explores the collaboration between artist Yves Klein and architect Claude Parent: from the deconstruction of the architectural language to a mausoleum for Klein created by Parent.