Soph. Roppongi Hills

Designed by the Tokyo-based architect Nobuo Araki – The Archetype, Soph. Roppongi Hills creates a sense of openness and allow natural light to enter the space.

Nobuo Araki – The Archetype, Soph. Roppongi Hills, Tokyo, 2016
The project was launched as part of the renewal of the 4th floor of Roppongi Hills. The maze-like structure of Roppongi Hills is a metropolis in its own right. Despite being located on the 4th floor, one side of the store faces a large light-filled void, while the other faces a pedestrian corridor.
Nobuo Araki – The Archetype, Soph. Roppongi Hills, Tokyo, 2016
Top and above: Nobuo Araki – The Archetype, Soph. Roppongi Hills, Tokyo, 2016. Artwork: Takashi Murakami, You are Hollow, And So Am I, 2015. Acrylic on canvas mounted on aluminum frame, 170 x 144.7 cm. ©2015 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Galerie Perrotin
For this project, Nobuo Araki tried to avoid building walls that would block the corridor. Mandatory fittings such as shelves, hanging systems and stock spaces were constructed perpendicular to the void. This design created a sense of openness and allowed natural light to enter the space, while also allowing the shop to be part of the building’s unique structure.
Takashi Murakami, You are Hollow, And So Am I, 2015. Acrylic on canvas mounted on aluminum frame, 170 x 144.7 cm. ©2015 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Galerie Perrotin
Nobuo Araki – The Archetype, Soph. Roppongi Hills, Tokyo, 2016. Artwork: Takashi Murakami, You are Hollow, And So Am I, 2015. Acrylic on canvas mounted on aluminum frame, 170 x 144.7 cm. ©2015 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Galerie Perrotin
A wide pillar that could not be removed was made into a central symbol, with its longer sides used for exhibitions.
 The pillar forms part of the building’s structure, with its presence showcasing the inseparable relationship between Soph and Roppongi Hills.

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