Printed Talks in the City

Focusing on the current state of print, the recent Printed Talks in the City exhibition and workshop at the Istituto Svizzero di Roma's Milanese outpost proposes a series of interventions throughout the city.

Focusing on the current state of print, the recent Printed Talks in the City exhibition and workshop at the Istituto Svizzero di Roma's Milanese outpost proposes a series of interventions throughout the city. The second of three events in the institute's Letters on Sale cycle, Printed Talks in the City was curated by head of the institute's artistic programme Salvatore Lacagnina, and Basel-based graphic designer and ECAL professor Ludovic Balland, whose keen interest in printed matter fuelled the workshop and resulting exhibition.

In the months prior to the workshop and exhibition, Balland and Istituto Svizzero's Valentina Sansone visited the printing workshops of Angelo Colombo, Giorgio Lucini, Felice and Gianni Nava and Massimo and Michele Pizzi. A series of ideas born out of these visits and conversations formed the basis for a workshop with a group of young graphic artists and journalists from schools in Milan, transforming the Istituto Svizzero's premises into an ad hoc printing workshop and seeking to rediscover old printing techniques inside the city's context — from Lucio Passerini to the Officina Nove Punti.

The Museo della Stampa e Stampa d'Arte in Lodi provided wood and lead types and a 19th-century Stanhope printing press, along with a proof press. Ludovic Balland and Berlin-based graphic designer Emmanuel Crivelli asked for the participants' reactions to a number of comments drawn from the conversation with Massimo and Michele Pizzi, heirs of renowned old printing works in the Milan area.
<em>Printed Talks in the City</em>, installation view at the Istituto Svizzero / Swiss Institute, Milan
Printed Talks in the City, installation view at the Istituto Svizzero / Swiss Institute, Milan
The participants responded to statements on the situation of printing in Italy and the memories of a perhaps lost international excellence — "Like pandas, we are at risk of extinction; we ought to be considered a protected species," and "We hope the Chinese get rich fast, very fast." — with as many other statements, triggering a dialogue in which concerns on the status quo are easily overcome with irony — "We are pandas, it's time to live in a zoo", "Buying a book will be a big thing" and "Chinese, stay here! We are around the corner".
<em>Printed Talks in the City</em>, installation view at the Istituto Svizzero / Swiss Institute, Milan
Printed Talks in the City, installation view at the Istituto Svizzero / Swiss Institute, Milan
During the execution phase, no computers were allowed, and the entire design process was executed by hand, with the aid of a photocopying machine. Mobile type and rules were used to enface the pairs of phrases in black and silver on a two-colour offset 60 x 85 centimetre base. Fifty copies were printed of each of the 10 posters, for a total print run of 500 hand-printed posters.

Throughout December 2012, the posters were put up in different parts of Milan, from the Colonne di San Lorenzo to the suburbs, such as in via Corelli. Pasted over existing posters, they stood out for their different colour, format and manufacture. White and smaller than the norm, the quality of their inks betrayed a craft production against a backdrop of industrial prints — drops in the ocean. An operation that would have otherwise been ephemeral and cryptic was recorded by photographer Salvatore Gozzo, who captured the posters along with their surroundings, urban landmarks, views and details. The posters were then brought into the exhibition space, displayed in triptychs of photographs from Gozzo's reportage, following a curatorial decision to exhibit the posters in their rightful setting, on the city's walls.
Pasted over existing posters, these stood out for their different colour, format and manufacture
<em>Printed Talks in the City</em>, installation view at the Istituto Svizzero / Swiss Institute, Milan
Printed Talks in the City, installation view at the Istituto Svizzero / Swiss Institute, Milan
The results were also circulated via another equally ephemeral medium: a newspaper, of which 10,000 copies were printed and distributed in and around Milan by the Zero network.

Printed Talks in the City follows, Types We Can Make — an event that showed new typefaces produced by designers that gravitate around ECAL — and anticipates a third event which will conclude the Letters on Sale cycle in 2013, and will focus on the connections between graphic design and new media.
<em>Printed Talks in the City</em>, installation view at the Istituto Svizzero / Swiss Institute, Milan
Printed Talks in the City, installation view at the Istituto Svizzero / Swiss Institute, Milan
Through 28 February 2013
Letters on Sale: Printed Talks in the City
Istituto Svizzero di Roma
Via Vecchio Politecnico 3, Milan
Left, <em>Printed Talks in the City</em>, via Giuseppe Zanoia, Milan. Right, <em>Printed Talks in the City</em>, Corso di Porta Ticinese, Milan. Photos by Salvatore Gozzo
Left, Printed Talks in the City, via Giuseppe Zanoia, Milan. Right, Printed Talks in the City, Corso di Porta Ticinese, Milan. Photos by Salvatore Gozzo
<em>Printed Talks in the City</em>, via Giuseppe Guerzoni, Milan. Photo by Salvatore Gozzo
Printed Talks in the City, via Giuseppe Guerzoni, Milan. Photo by Salvatore Gozzo
<em>Printed Talks in the City</em>, via Angiolo Maffucci, Milan. Photo by Salvatore Gozzo
Printed Talks in the City, via Angiolo Maffucci, Milan. Photo by Salvatore Gozzo

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