Artist Lorna Bauer revisits the eight murals created by Le Corbusier in the E-1027 villa, designed by Eileen Gray, and considers how they have changed the building's history.
After transforming its industrial heritage, the nomadic European biennial brings contemporary art into twelve churches in the Ruhr to question the future of thousands of religious buildings destined to change function.
From Botticelli to Baudrillard, via Goya and Eco, beauty is not an immutable category but a constantly evolving idea that spans the history of art all the way to contemporary aesthetics.
In the historic center of Pietrasanta, Albergo Pietrasanta houses a contemporary art collection born from the intuition of Rosa and Gilberto Sandretto, featuring works by Accardi, De Dominicis, Ontani, Bonalumi, and many others.
Museums, foundations, galleries, and independent venues are launching new projects and major retrospectives: a guide to the exhibitions worth visiting during the hottest weeks of the year, in Milan or nearby.
We don’t inhabit environments, we are the environment
We interviewed the Chief Curator of the 13th Shanghai Biennale, entitled “Bodies of Water” who describes Biennale’s as reality-sensing-devices.
Entering the studio on Via Fondazza in Bologna, Joel Meyerowitz photographs each bottle, vase, and jar used by the painter in his iconic still lifes. The project becomes Morandi’s Objects, a book set for release in 2026.
The passing of Hilde Lynn Helphenstein, the face behind the satirical account @JerryGogosian, reopens a question about the potential of digital criticism: when does a meme stop being mere entertainment and become a tool capable of impacting reality?
From Amsterdam to Montevideo, from queer festivals to traditional carnivals, photographer Darren Smith spent seven years travelling across three continents to document temporary communities that resist the homogenisation of identity.
The sea does not lie, does not console, does not stay still. This is why artists have always sought it out: from Turner to Matisse, as a place where painting meets fear, light, the body, and the most exposed part of oneself.
For over thirty years, the Danish collective has challenged the myth of the 'lone genius,' imagining new forms of collaboration between humans, animals, ecosystems, and the built environment. We met with them.
With “So Cute! The Art of Happiness,” the French museum explores how the aesthetic of the adorable – from internet cats to kawaii, and even the Labubu phenomenon – has moved from the kitsch fringes of visual culture into art history and everyday life.
With “Extrasensory”, her first major institutional exhibition in Switzerland, the Canadian artist brings together UFOs, aliens, angels, demons, souvenirs, film and objects of worship to tell not the story of extraterrestrial life, but the human need to give shape to the unknown.
