The new Trump-branded skyscraper designed by Gensler in Tbilisi becomes the symbol of a strategy intertwining global branding, diplomacy and real estate power in the Caucasus.
From London’s Rolling Bridge to the moving facade of Shanghai’s Fosun Foundation, all the way to Little Island in New York: Domus 2026 guest editor Ma Yansong interviews Thomas Heatherwick about movement, emotion, and the humanisation of architecture.
Studio Font has designed a house embedded in Mexico’s extreme landscape, engaging in dialogue with time and the natural elements, and finding its expressive power in the stark visibility of its construction.
A light-coloured structure has been superimposed on the existing building. Through its bold yet restrained design, it addresses the need for a larger home for a growing family.
The new Riyadh metro station is set to transform the Al-Qiri transport hub. Designed by Snøhetta, it features a large reflective canopy, bright underground spaces, and an underground garden intended to serve as a new urban public square. Snøhetta talks to Domus about the project.
For this high-density residential complex, Anonimous + G3 + Jesús Vassallo soften the dark, solemn volumes inspired by Brutalism with a lattice of sun-shading screens drawn from local tradition.
In a rural village in Galicia, Spain, the renovation of an existing building and the construction of a new pavilion are transforming the terraced landscape by creating a community centre that brings together history, contemporary uses and local resources.
At the Giardini della Biennale, Labics reinterprets over a century of stratifications, transforming the Central Pavilion into a coherent and accessible system featuring new functions, a café, and social spaces.
In Albania, Bofill Taller de Arquitectura—known for the Muralla Roja—signs off on a large residential complex that tries to integrate more quietly into the landscape. Change of approach or just a visual strategy?
QB Atelier has designed a home in Veneto that occupies the spaces of a 20th-century factory and opens onto a secret garden.
Domus’ 2026 guest editor brings to the Milan Polytechnic a reflection on contemporary architecture, between critique of the built environment, nature, and social responsibility.
Art sets the pace and architecture follows
Frederic Migayrou, curator of the exhibition “Aerodream” at the Centre Pompidou-Metz, tells us the aesthetic and social evolution of these majestic inflatable structures, from Second World War until today.
Designed by Workac, the Riverhouse is a model of sustainable and collaborative living. Friends, guests and collaborators helped to design and build the shared spaces and furnishings.
With flexible spaces, mobile installations, and themed itineraries, the new London hub abandons the traditional model to embrace the logic of fairs and “on demand” culture.
