Designed by Workac, the Riverhouse is a model of sustainable and collaborative living. Friends, guests and collaborators helped to design and build the shared spaces and furnishings.
With flexible spaces, mobile installations, and themed itineraries, the new London hub abandons the traditional model to embrace the logic of fairs and “on demand” culture.
After years of questionable renovations, Park spoke to Domus about the retrofitting of Palazzo Galbani during our visit to the construction site. For just four days, part of the building will be open to the public during Paris Internationale.
In Milan, within the regenerated spaces of BiM, Gianni Pettena reactivates Paper and reasserts a radical stance: architecture is not something you design – it is something you build, and above all, something you live.
On Old Bond Street, Ferrari redefines the idea of a flagship as a cultural device: a layered environment where architecture, display, and brand identity converge. Through interviews with Rocco Iannone, Formafantasma and Gonzalez Haase, the project emerges less as a store than as a staged Officina of design.
For this high-density residential complex, Anonimous + G3 + Jesús Vassallo soften the dark, solemn volumes inspired by Brutalism with a lattice of sun-shading screens drawn from local tradition.
Every April, the well-known event brings attention back to a valley that—between cultural institutions, modernist architecture, and a desert landscape—has much to offer regardless of the concerts.
In one of Britain's best-known "new towns", which were designed in the mid-20th century to make London more liveable, Pyramid House has been renovated and adapted for contemporary use.
Frank Lloyd Wright’s largest project is a campus: Florida Southern College. Built over more than twenty years—shaped by organic utopian ideals, construction challenges, and later transformations—it is now documented in the photographs of Roberto Conte.
QB Atelier has designed a home in Veneto that occupies the spaces of a 20th-century factory and opens onto a secret garden.
From Mies van der Rohe’s crystal towers for Berlin to Renzo Piano’s Shard, the glass façade charts a century of architecture poised between technology and symbolism, evolving from a modernist manifesto into the shared language of a globalized world.
Art sets the pace and architecture follows
Frederic Migayrou, curator of the exhibition “Aerodream” at the Centre Pompidou-Metz, tells us the aesthetic and social evolution of these majestic inflatable structures, from Second World War until today.
This laboratory-storage facility for biological research, part of the University of Antwerp, breaks away from the typical anonymity of industrial sheds to assert itself as a recognizable architectural object, defined by bold colors and the legacy of the “perfect square.”
In Point Roberts, Scott and Scott reinterpret the North American rural house through exposed timber structures and natural materials.
