Forty years after the Antwerp Six, Antwerp continues to be a unique creative ecosystem: fashion museums, modernist houses, galleries, and repurposed industrial spaces tell the story of a city where art, retail, and architecture still speak the same language.
From childhood summers in Italy to AI-generated design, the British designer traces the shift from objects to experiences, arguing that the discipline has lost scale just as the world demands bigger answers.
Zanotta has secured an exclusive licence from the Italian government to produce thirty Carlo Mollino designs, many of which have never been mass-produced or reissued. We spoke to CEO Luca Fuso about the archives, unique pieces and contemporary production.
Open profiles, essential ribbing, no more grams of plastic than necessary: in the year of the monobloc, the Linnéa project has brought the relationship between designer and industry back to the center, in the best tradition of Italian design. The protagonists tell us about it.
With Scout, Konstantin Grcic doesn’t offer a solution to the contemporary office; instead, he stages its crisis: an open, reconfigurable furniture system that reflects a way of working that is still unstable—something to be built rather than designed.
From the return of color to the end of minimalism: how emotional design and the promise of wellbeing are redefining domestic interiors.
Alessi reissues Ettore Sottsass's La Bella Tavola, the tableware collection that is also a tribute to his beloved China.
Designed for camping and outdoor life, the brand's new products are designed to be easy to use, intuitive, safe and truly inclusive, adapting to different needs and bodies.
On Old Bond Street, Ferrari redefines the idea of a flagship as a cultural device: a layered environment where architecture, display, and brand identity converge. Through interviews with Rocco Iannone, Formafantasma and Gonzalez Haase, the project emerges less as a store than as a staged Officina of design.
In Trento, the exhibition “Hit List 80. Design, interface, colour” revisits the 1980s through Memphis and a local scene where design, architecture, and image converge—revealing how our contemporary understanding of objects took shape.
From sensory memory to material reconstruction, Memo. Souvenirs du futur stages a form of design that moves between loss and repair, turning the climate crisis into a field of action.
At Collect art fair in London, ceramics, textiles, and jewelry highlight how craftsmanship is emerging as a conscious alternative to accelerated production and instant culture.
