From Coach to BookTok, passing through Dior, Valentino, and bookshelves displayed on Zoom: in the era of screens, the printed book has not disappeared, but has acquired a new symbolic, aesthetic, and social value.
At the Fondation Martell in Cognac, “Le singe et l’argile” explores the possibilities of co-creation between the human and non-human, transforming art and design into a laboratory for coexistence among species, matter, and the living.
Nominated World Design Capital 2026, the Frankfurt RheinMain metropolitan region has built its program around an unusual conviction: design can help strengthen democracy, making civic participation more open, inclusive, and accessible.
From Lina Ghotmeh to Tom Dixon, from Lesley Lokko to Ma Yansong, the Global Design Forum leaves London for Istanbul to test a new format where design, criticism, storytelling and public space converge.
With its first major European event, the Chinese brand surprises not only with the engineering of its new products, but with a mature domestic vision aimed at building an integrated ecosystem beyond the robot vacuum cleaner.
For more than a decade, augmented reality in museums has often remained a limited add-on. At Adi Design Museum, however, Musa is a new interactive digital avatar that accompanies visitors through the Compasso d’Oro Collection, answers questions, and suggests personalized routes.
From Vitra’s Tip Ton chair to the London 2012 Olympic torch, Edward Barber and Jay Osgerby have designed some of the most recognizable objects in contemporary design. Now, after thirty years of collaboration, they are closing their studio
Kho Liang Ie designed furniture, interiors, and airports without ever losing sight of the needs of those who use them. Fifty years after his passing, the Stedelijk Museum Amsterdam celebrates him with a tribute exhibition.
Two previously unseen drawings bring back Santa Tecla, the club beneath Milan’s Duomo where, between jazz and Milanese nightlife, the myth of Joe Colombo was born — a 1950s “pre-listening bar”.
Forty years after the Antwerp Six, Antwerp continues to be a unique creative ecosystem: fashion museums, modernist houses, galleries, and repurposed industrial spaces tell the story of a city where art, retail, and architecture still speak the same language.
From childhood summers in Italy to AI-generated design, the British designer traces the shift from objects to experiences, arguing that the discipline has lost scale just as the world demands bigger answers.
Zanotta has secured an exclusive licence from the Italian government to produce thirty Carlo Mollino designs, many of which have never been mass-produced or reissued. We spoke to CEO Luca Fuso about the archives, unique pieces and contemporary production.
