Mark Handforth: Smoke

Presented at Villa Croce, the sculptures of Mark Handforth appear to be serious and ironic, playful and formal, monumental and melancholic.

Mark Handforth, MoCA, 2008, Miami
Villa Croce presents “Smoke,” an exhibition by Mark Handforth, combining existing works with sculptures specifically created in response to the museum’s spaces. This Anglo-American artist has gained international recognition with his large-scale public sculptures that are born from a reflection on the bewildering dimensions of American metropolises and the minor features that populate the urban landscape such as road signs, benches, and street-lights.
Mark Handforth, Capricorno, Galeria Franco Noero, 2013, Torino
Top: Mark Handforth, MoCA, 2008, Miami. Above: Mark Handforth, Capricorno, Galeria Franco Noero, 2013, Torino
 The exhibition title derives from the artist’s fascination with the lettering of the word “smoke” as it appears on American road signs. For Handforth “smoke” is a word, a sign but also the indication of a clouded environment in which forms are dissolved and shapes are set in movement.
Mark Handforth, Saffron Star, 2013, Governors Island, New York
Mark Handforth, Saffron Star, 2013, Governors Island, New York
By altering both the materials and the proportions of ordinary objects, the sculptures of Mark Handforth appear to be serious and ironic, playful and formal, monumental and melancholic. The artist intervenes on the signs and symbols of everyday life creating a gallery of expanded objects endowed with a wild physicality and a distinct dynamic energy that generates a free flow of mental associations and a wide range of poetic and whimsical interpretations of reality and contemporary art.
Mark Handforth, Twisted Lampost Star, 2012, Porte de Bagnolet, Paris
Mark Handforth, Twisted Lampost Star, 2012, Porte de Bagnolet, Paris
Rife with aesthetic references to Pop and Minimal Art, his work pushes a rigorous formal research into an immediately recognizable figurative dimension in which prosaic items and universal icons manage to coexist. Out-sized proportions and exaggerated distortions radically transform the relationship between the viewer and the artwork as the sculptures invade the rooms where they are situated with their powerful plastic energy.
Mark Handforth, Electric Tree, 2011, Griffin Park, Miami
Mark Handforth, Electric Tree, 2011, Griffin Park, Miami
For the exhibition at Villa Croce the artist reinterprets the architecture and the spaces of the neoclassical mansion creating a surreal sequence of twisted lamp-posts, fluorescent mandalas of neon lights, gigantic coat hangers and crumpled stars that form narrative itineraries marked by a dynamic tension between organic and inorganic shapes, concepts of immanence and change, abstraction and symbolic representation.
Mark Handforth, The Excentric Circle, 2015, The Modern Institute, Glasgow
Mark Handforth, The Excentric Circle, 2015, The Modern Institute, Glasgow

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