The artist decided to play with this presence by creating a large aerial sculpture that contradicts the gravity of everyone anchored to the ground. In a dialogue with the volume of the public square and the height of the buildings, two ellipses of chairs rise up into the air, meet, and then separate.

The shape also takes its inspiration from an artwork that Robert Delaunay made for the Palais de l’Air during the Paris World’s Fair in 1937. In it, the artist put man back in his place as an integral part of his environment, subjected to its laws.