Ritratto di donne

On show at Collezione Maramotti the projects Legami by Alessandra Ariatti and Moll by Chantal Joffe where the portraits of these two artists are placed in a sort of mutual dialogue.

Chantal Joffe, Moll
Alessandra Ariatti and Chantal Joffe have focused their artistic research on portraiture, a figurative tradition which has been constantly part of Western art (but not solely) since the 15th century.
The portraits of these two artists, placed in a sort of mutual dialogue in the exhibition, are rooted on the one hand to the aesthetics, or better still, the culture of contemporary art, and on the other hand – and perhaps more intimately than for artists from the past – to the milieu where they live and work. Their formal connection, however, ends here.
Chantal Joffe, Moll
Top: Chantal Joffe, Moll, 2010, oil on panel, 280 x 203 cm, detail. Above: Chantal Joffe, left, Moll with the Cat 2014, oil on panel, 213,5 x 152,5 cm; right, Bumptious Mansions, 2014, oil on canvas, 243,8 x 183,5 cm. Courtesy the Artist, Victoria Miro Gallery, Collezione Maramotti © Chantal Joffe

Ariatti paints groups of figures with a hyper-photographic precision functional to the possibility of probing their psychological depth and the intensity of human interrelations.

The artist focuses mostly on faces and their turning into a micro-social group, as also underlined by the general title given to her group of works: Legami – Ties. What interests the artist in her painting, is the possibility of highlighting a relationship between the subjects of the work and the artist, and fostering a dialogue with the viewer.

In the four pieces on exhibit, instead, Joffe represents constantly, rather obsessively, a large single  figure – full length or close to, plunged into a well-defined space – with extremely loose brush strokes, blurring the details of the face, dresses and setting into a single pictorial flow. In this group of works where the artist openly evokes the paintings on puberty by Edvard Munch, and has titled them Moll, the subject is her now
16-year-old niece – being portrayed since her birth – who has reached an age when the inner dimension is full of dreams and at the same time of unfathomable mystery. This life condition may be extended to the modes through which the artist presents the female identity in general in her other works, with an  “ambiguity” generating complexity.
Chantal Joffe, Moll
Chantal Joffe, left: Moll in the Striped Dress, 2006, oil on panel, 243,8 x 181,6 c; right: The Repose (Moll), 2013, oil on panel, 243,8 x 183,5 cm x 6 cm. Courtesy the Artist and Victoria Miro Gallery, London © Chantal Joffe

If from a stylistic point of view Joffe's emotionally dense and fast painting recalls the all-over, the soft contours, the decorative values of fabrics found in Matisse; Ariatti aspires instead to the hard-edged intensity of Renaissance saints.

The polarity of these painting strategies emerges also from the time required to complete their works: while for Chantal Joffe it has taken five months to paint the four portraits of her niece  Moll, Alessandra Ariatti has dedicated four years of her artistic life to portray the three family groups presented in Legami.

Alessandra Ariatti, Legami
Alessandra Ariatti, Silvia, Monica e Giorgio. “La Provvidenza nascerà prima del sole” (Lacordaire), 2010-2013 oil on canvas, 162 x 210 cm. © the Artist Courtesy the Artist and Collezione Maramotti Ph. C. Dario Lasagni

Marble matters– exploring Carrara’s legacy

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