With the recently announced “New Churches Program” promoted by the Diocese and the CEI, the city will gain five new places of worship: they will be located in the outskirts and designed with sustainability in mind.
The Ferrari Luce is Maranello's first EV. Jony Ive and Marc Newson's LoveFrom shaped the cabin, with a look and feel that reminds of past Apple designs.
The Spring House is a landmark project that captures the evolution of the American architect’s design thinking and stands as a manifesto of the final phase of his career.
In 1975, Emilio Ambasz envisioned an almost unreal villa—roofless and nearly wall-less—already anticipating sustainability. Fifty years later, the Casa de Retiro Espiritual shows how a functional dwelling can also be spiritual.
You can share your work through the function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
After more than a decade since the initial competition, Stockholm is set to welcome the new headquarters of the Nobel Foundation, a striking building designed as a tribute to the cultural identity of the Swedish capital.
Active users — and above all the time spent on the platforms that have dominated the past two decades — are declining. Is AI slop and toxic content to blame, or have we simply grown tired?
@gaude.ai imagines the Duomo of Milan transformed into an arena for ice sports and Torre Velasca turned into a high-altitude ski slope.
His Instagram profile reveals something about how architectural criticism is changing — and about the Olympics that await us.
An exhibition traces the city before and after the Nazi bombing, showing how it transformed into a symbol of contemporary architecture through postwar reconstruction, experimentation, and urban innovation.
Born in 1946 to help a country rebuild after the war, the Vespa went on to shape cinema, youth culture, advertising, and urban life. This is the story of an italian scooter that changed the way we move — and the way we stay close.
The Caribbean nation’s new uniform was hand-painted in Italy and tells the story of the country’s resistance.
For one of the most influential artists of the 20th century, it all started with a photograph of a modernist table seen in the pages of Domus magazine.
From Sou Fujimoto’s wooden Grand Ring to a community building on a volcano in Ecuador, in the February issue of Domus nature takes on the role of a constructive principle in design.
In the Koukaki district, the basement of a traditional 1970s apartment building is transformed into a residence by Alexandros Gerousis, where exposed steel, glass, and reinforced concrete express a pursuit of neo-modernism.
At Pace Gallery, artworks and objects turn the exhibition space into a domestic interior: the place where his world truly took shape.
A highway corridor over a thousand kilometers long will connect some of the largest cities in West Africa and promises to transform economies, territories, and borders.
The seven projects still competing for the award outline an idea of architecture that avoids spectacle and star names, focusing instead on relationships – with existing buildings and with the communities around them.
Triennale di Milano, Casa degli Artisti, Villa Necchi Campiglio, and then pavilions in public squares: the 2026 Olympics are setting up in places that have for years symbolized the Fuorisalone. And of course, there is a huge amount of Italian design.
In Hangzhou, China, designed by Zaha Hadid Architects, a green corridor will follow the course of a waterway and host striking new buildings, including a large library.
At the Nederlands Fotomuseum, archives, conservation labs and even a public darkroom turn visitors from spectators into participants.
The Valentine’s Day gift guide: design objects for him, for her, for couples and for yourself, all easily available to buy online.
In the February issue of Domus, the 2026 guest editor brings together projects in which sustainability is not just an abstract reference, but a truly lived experience.
Located inside ZHA's iconic “The Henderson” tower, the lounge bar offers a convivial experience that transforms into a surreal journey between memory and imagination.
Metal drywall tracks take center stage in Drywall by Claudio Larcher and Sofia D’Andrea, a furniture series where design adopts architecture’s invisible grammar.
A Franco Albini villa in Milan that no one has ever seen and the complex of the Baggio Military Hospital, with two newly accessible spaces: the places that Milan’s most renowned platform dedicated to collectible design will occupy for its eleventh edition.
A notebook, a pill and a series of pocket journals draw inspiration from the beds of Shanghai’s most iconic mental health institution.
We previewed Resident Evil Requiem and spoke with the development team: bent corridors, darkness and blind spots are the real weapons of fear.
A selection of exhibitions dedicated to winter sports and their imagery, from the Olympics of the past to the languages of the present, running alongside the Milan Cortina 2026 Winter Olympic Games with a narrative that spans several cities, from Milan to Trento, passing through Cortina and Venice.
The Paris-based practice tells Domus about its expansion project for the ESSEC Business School campus, where bioclimatic façades and new pedagogical models come together in a design that ultimately aims to project long-term vision.
The event is among the longest-running and most significant for contemporary art professionals and enthusiasts. From February 6 to 8, Arte Fiera returns with a new artistic direction.
Business of Design Week 2025 placed Hong Kong at the center of the debate on the future of design, with Italy as partner country. Among the Summit’s key speakers were Carlo Ratti, Michele De Lucchi, Patricia Viel and Nicolas François Luchsinger.
At the Italian Cultural Institute in Tokyo, during Italian Design Day 2026, the Editorial Director of Domus reflects on the future of design through the Japanese practice of kintsugi — between redesign, care, and the aesthetics of wabi-sabi.
Thinking of the screen as skin means rethinking the relationship between body and technology. In Emanuela Moretti’s exhibition, the digital becomes haptic and sculptural matter — a sensitive surface that promises contact while revealing its political ambiguity.
