Since 1928
After 9 years of studies and 3 years construction on site, the jetty to the Mont-Saint-Michel by Dietmar Feichtinger Architects will be opened to pedestrians today.
At this year’s London Festival of Architecture, Cloud Architecture proposed two weeks in a pop-up studio at Old Spitalfields Market to investigate how to enhance the appeal of this part of the capital.
The garden was the starting point for the restoration and extension of Villa Glicini by Laura Mascino, an Art Nouveau small villa like so many others – home and studio of an artist.
Thorsten Sahlmann explains the essence of the latest parisian project by Renzo Piano: the Fondation Jerôme Seydoux-Pathé, that will house office space, archives, a record and research centre, exhibition spaces and a screening room for the historical film company.
NP2F realized two playgrounds within the “Grand Paris”. The first one is temporary, located in front of the Pavillon de l’Arsenal; the second one, permanent, in Alfortville.
This week Domusweb offers a selection of books that address different issues, including the Palestinian question, starting from the designer’s point of view.
Since 1928
The last work of the Mexican artist Teresa Margolles, at Zürich's Migros Museum, tells the plague of femicide in Ciudad Juarez through the posters of lost identities.
In Cádiz Alberto Campo Baeza have built an infinite plane facing the Atlantic Ocean, a house that emerges from the sand as a stone platform.
In Barcelona, Fab10, the tenth edition of the event on digital manufacturing, inaugurated the launch of the “Fab Cities” project by the city council to create a network of neighbourhood Fablabs.
Since 1928
Designed by Rubin & Rotman Architects, the Aanischaaukamikw Cree Cultural Institute’s building turns to the classic architecture of the Cree people’s traditional longhouse and to the particular context of the village of Oujé-Bougoumou.
With Algaemy Blond and Bieber investigate the potential of microalgae in a creative context, revealing the aesthetic potential of a resource which is mostly regarded as weeds within Europe.
Invited by Dakis Joannou Polish artist Pawel Althamer turned the Hydra slaughterhouse into an interactive space, in which communication and creativity merge to construct a tangle of intimate relationships reminiscent of those formed within the family nucleus.
