
Lisa Licitra Ponti, an important protagonist in the history of Domus, paints a portrait of great Italian architect and designer Ettore Sottsass, and sheds light on his connection with the magazine.

A volume edited by Saron Kanach explores the many facets of Iannis Xenakis, who sought to engage, explore, and interrogate the full range of human experience, a much needed attitude in today’s architectural practice.
Yael Mer and Shay Alkalay's latest design for Italian furniture manufacturer Moroso is a roundly curvaceous armchair made out of a folded simple strip of Kvadrat fabric.

A new addition to a single family house in Sydney carves a new volume, extrapolating and subverting previously existing geometries to a striking effect.

At the University of Kentucky College of Design's yearly Beaux Arts Ball, architecture is featured out of the banal, autonomous context of the gallery, and in the wild, as a part of contemporary culture.
In his first major exhibition in the German capital, Anish Kapoor invades the ground floor of the Martin-Gropius-Bau with 70 of his works, some of which specially designed for the venue.

The Swiss architects complete their additions to Basel's exhibition halls complex, which culminate in a new, covered public space illuminated from above by a striking circular opening.

Mapping the identities, spaces and forces within a temporary zone for displaced residents, 26'10 South Architects and University of Johannesburg students come together, shedding light onto the right to housing debate in South Africa.
British designer Benjamin Hubert designs a furniture collection for Moroso: two chairs and a series of tables are the result of his studio's materials driven, process led industrial design approach.

Overlooking the sea, a rental home in Japan maintains the key aspects of the hospitality experience, while escaping the usual characteristics of a resort.

Taking over Turin's Castello di Rivoli, the first Italian venue of the "Disobedience Archive", curated by Marco Scotini, is a contingent archive that expresses itself in the “here and now” of the exhibition.
With the KamerMaker — a movable 3D printer pavilion — and a proactive approach, DUS architects seek to push the boundaries of this technology: in a co-creation process involving the community and multiple stakeholders, they propose 3D-printing an Amsterdam canal house, room by room.