Between architecture, craftsmanship, biophilia and local materials, Jia Curated returns to Sanur as the island continues its rapid transformation—offering an alternative model for how design, communities and landscapes might coexist.
In the former arms factory of Saint-Étienne, the new Galerie nationale du design brings together public collections dedicated to the project for the first time. A national platform that aims to transform design into heritage, debate, and research.
Presented at the 3daysofdesign in Copenhagen, the Pack Chair designed by Morrison for Hay is a 'super normal' seat sold unassembled, conceived to be durable, accessible, and almost anonymous.
From Coach to BookTok, passing through Dior, Valentino, and bookshelves displayed on Zoom: in the era of screens, the printed book has not disappeared, but has acquired a new symbolic, aesthetic, and social value.
At the Fondation Martell in Cognac, “Le singe et l’argile” explores the possibilities of co-creation between the human and non-human, transforming art and design into a laboratory for coexistence among species, matter, and the living.
For more than a decade, augmented reality in museums has often remained a limited add-on. At Adi Design Museum, however, Musa is a new interactive digital avatar that accompanies visitors through the Compasso d’Oro Collection, answers questions, and suggests personalized routes.
Nominated World Design Capital 2026, the Frankfurt RheinMain metropolitan region has built its program around an unusual conviction: design can help strengthen democracy, making civic participation more open, inclusive, and accessible.
Designed in 1956, Spalter turned a simple household appliance into an extension of the body. Nearly seventy years later, its vision of the relationship between people and technology feels remarkably contemporary.
From Lina Ghotmeh to Tom Dixon, from Lesley Lokko to Ma Yansong, the Global Design Forum leaves London for Istanbul to test a new format where design, criticism, storytelling and public space converge.
With its first major European event, the Chinese brand surprises not only with the engineering of its new products, but with a mature domestic vision aimed at building an integrated ecosystem beyond the robot vacuum cleaner.
From Vitra’s Tip Ton chair to the London 2012 Olympic torch, Edward Barber and Jay Osgerby have designed some of the most recognizable objects in contemporary design. Now, after thirty years of collaboration, they are closing their studio
Kho Liang Ie designed furniture, interiors, and airports without ever losing sight of the needs of those who use them. Fifty years after his passing, the Stedelijk Museum Amsterdam celebrates him with a tribute exhibition.
